Perfect cast and a good story

Good story, Not enough for a whole film

The best films of this genre always show a path and provide a takeaway for being a better person.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Existing reviews have at least one thing right: the camera work is impressive: very long takes with no cuts. But in just about every other respect this movie is amateurish, treats women as in a cheap 1960s porn movie and features cringe-worthy writing. Amateurish to the hilt. A few very good actors cannot save the adolescent, self-conscious dialog. The bad actors don't help either. The estimable John Hawkes is a round peg in the square hole of this movie. We stopped watching after 40 minutes.

This is a bad imitation of Quentin Tarantino's "Pulp Fiction" complete with almost backward story order (something like scenes #2,#5,#1,#3,#6,#4), and it is weighed down by unlikely dialogue with too many self-references to cinematic conventions.I was expecting more because so many people liked this movie, but the very things that some liked or that only slightly bruised the product for others, are major peeves for me. I did not care for the self- consciousness of the dialogue, plot or camera work.The P.I. who learned his trade from a book is an annoying gimmick, as is the surveilling detective as a metaphor for guys stalking women. I can only say in its favor that this movie has several good performances and gave work to some of my favorites including Robert Forster ("Jackie Brown") in cameo roles.

I really like Film Noir and "Too Late" tries to be one but falls short. I appreciate indie films because they avoid the usual Hollywood mainstream stuff and I cut them a lot of slack, but this picture doesn't help you out. It is disjointed and not well written but I think director Dennis Hauck is on to something.This effort, however, tends to lose the viewer with time frame juxtaposition which is too clever by half. I had to work at it to sort out the sequence of events and I think I nearly caught up by the end of the picture. Add to this the scenario which often lapses into the surreal and some overwritten dialogue (Dashiel Hammett is safe), and the cake falls.John Hawkes was good as the detective but has an emaciated look. He is a stretch to be a hard-boiled 'noir' hero, which is a minor objection, but I hope Hauck perseveres and refines his ideas. There is a need to counteract the current trend toward the populist dreck that shows up in the multiplexes nowadays.

Greetings again from the darkness. The first feature film from writer/director Dennis Hauck has a number of elements that are appealing to movie lovers on the lookout for something a bit outside the box. It's the type of film that would be a festival favorite, as it provides no shortage of "talking points" for discussion afterwards.Of course, casting John Hawkes is always a good start. Here he plays a Private Investigator named Sampson. The story is presented in 5 segments – each filmed in one extended shot. Oh, and it's not presented in sequential order, so some assembly is required. The real end to the story is not the same as the ending of the movie, and the beginning of the story is actually in the middle of the movie. Confused yet? Well a loss of equilibrium is what makes this one so much fun to watch. Characters and story lines are intertwined - some accidentally, some secretly, and some surprisingly.Hawkes appears in each of the five segments, and sprinkled throughout you will find such recognizable faces as Robert Forster, Jeff Fahey, Natalie Zea, Joanna Cassidy, Crystal Reed, Dash Mihok, Rider Strong, Vail Bloom, Sydney Tamilia Poitier and singer Sally Jaye. A strip club, the Hollywood hills, a Park Ranger, a suicide, and multiple murders all are key pieces to the puzzle … and none are presented exactly as we would expect.With an unpolished 1970's look and feel, the film offers a touch of Tarantino (including some of the actors who have worked with him), but mostly the vibe is refreshingly throwback. Even the music … Joe Tex, Cowboy Junkies, etc … is a bit offbeat, and of course, any movie that references Genevieve Bujold and Choose Me deserves a special place in my heart. It may not be the typically structured PI murder mystery that we have come to expect, but an unusual approach and the performance of Hawkes, makes this one to see.