Biography of actor Rock Hudson focuses on his struggle with his homosexuality. Based on the book by his ex-wife, Phyllis Gates, and on the court records from the civil suit brought by his former lover, Marc Christian.
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The Age of Commercialism
Must See Movie...
I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.
I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.
and, maybe, it could not be more. because it is only expression of good intentions. honest. unconvincing. and this is the basic sin for a biopic who has the desire to reflect details of a life and career who remains, after his death, impressive. the status of essay is result of the short time after the rest of Hudson. and, maybe, the bad thing is the feeling to be more a picture of a man, with his secret life, with his sentimental adventures - presented as dramatic sketches- , the result being a general image of a gay actor and its impact with the public image.it is unfair to define it as a bad film. and useful to see it as decent essay.
This film was well paced, but really didn't go in depth to show a longer TV career that Rock did have. The most strangest moment in the film, i remember was that Rock took his mother to the screening of his first motion picture that he starred in with Robert Stack. His mother leans over to him in the movie theater and basically tells him "dont quit your day job" as a reaction to his acting. The actor who portrayed Raoul Walsh was quit believable, giving Rock a small part in this first picture telling his agent, Henry: "Well he'll make good scenery" Also, another discrepancy is that when Rock met Marc Christian, they were friends for six months before sleeping together. The movie makes it look like they just jumped in the sack after a just a few meetings. Otherwise it was mildly entertaining.
There are two things to consider here: the script's accuracy and the drama's effectiveness.Since this is a bio, factual accuracy is important. However, the only authorities of what really took place are the real life subjects. In cases where only two people were involved in a situation--the late actor and second party--chances for proving historical accuracy are decidedly diminished. The only guide one can have is what's been garnered from other sources: press articles, film documentaries, various bio books, and the like. There were so many "cover ups" to the Hudson career, that it's tough to tell where truth ends and urban legend begins. Writer Dennis Turner obviously consulted court transcripts and legal documents among his sources, but who really knows what happened? William R. Moses' Marc Christian is played throughout like a sweet, innocent college junior; there's no hint there of anything but the purest of motives to his relationship. Andrew Robinson's Agent Henry Willson is not shown devising the "marriage of convenience" to Phyllis Gates. Nor is Thomas Ian Griffith's Rock ever seen making love to his various partners beyond innocent embraces--not even a mutual kiss. There's something irritatingly irresponsible about all of this, and John Nicoletta's overly cautious direction doesn't help. Released just five years after the actor's death in 1985, it's a good guess the writing began shortly thereafter to capitalize on its subject. Dramatically, there's not much more that emerges than tentative and superficial, with a cast trying its best to inject emotion into the enactment. Another film on Hudson is welcome--one with less sanitization and compromise and more sincerity and viewpoint.
The actor who portrayed Rock Hudson can only have been picked because of his brief resemblance to the late star. His acting was not on par with the later movie star, nor did he have the charisma to be a star. It gave the impression that Rock Hudson chose to stay in the closet rather than come out. Perhaps in those 'dark old days' you would have been finished if you 'came out', but at least his life-long friend, George Nader did not hide it. The best actor in it was definitely William R Moses who played Marc Christian who I believe wrote a book about his experiences with Rock and his court case senario - I have tried for years to get the book all to no avail -! Perhaps it should be refilmed with more on his career and even more on his love life.