It's no definitive masterpiece but it's damn close.

Highly Overrated But Still Good

A different way of telling a story

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

Due to lack of adult supervision during the Chinese Cultural Revolution, the mischievous boys of military fathers are free to spend their summer left to their own devices. Too young to join other youths working in the countryside, they spend their time riding their bikes, getting into gang fights, picking up girls, and asserting their masculinity. Chosen as one of 100 best Chinese films of the century by Asia Weekly Magazine, Wen Jiang's In the Heat of the Sun is a coming of age story set in Beijing in the 1970s after the Red Guards had been disbanded. The first film by a sixth generation Chinese director, it played to packed audiences of young people when it first opened in Beijing in 1995, but has never been released in North America.In the Heat of the Sun is based on the novel "Wild Beast" by Wang Shou, a controversial Chinese author who has written many stories about rebellious teenagers. The film is a subjective recollection about a group of friends who meet when their Army dads are shipped out to support Chairman Mao in 1969, recollections embellished by the narrator's fanciful memory. Steeped in eroticism and youth violence, it is a sharp turn from the melodramatic epics of the early 1990s that interpreted China's past as a time of sexual repression. Jiang does not wallow in marketable clichés or make a special appeal to Western audiences but, like the young people in the film, imparts to the work a freshness and authenticity that sets it apart.The film stars 17-year old Yu Xia as "Monkey" Ma Xiaojun, a rebellious teenager who is a stand-in for the director as a young man. Xia (whose name translates as 'Summer Rain') won the award for best actor at the 1994 Venice Film Festival, the youngest actor ever to win this award. Narrated by the director who is also a popular Chinese actor, the opening narration tells us that "Peking has changed so fast. In 20 years, it's become a modern city. Almost nothing is as I remembered. Change has wiped out my memories. I can't tell what's imagined from what's real." The film's leitmotif is introduced almost immediately and we understand the reason for the title. "My stories always take place in summer", the narrator continues."The sunlight was so relentless, so bright, that our eyes were washed in waves of blackness. In the Heat of the Sun. In the raging storms of Revolution. The soldiers' hearts turn towards the sun." During that summer, Monkey acts out fantasies that make him feel like a hero and talks about characters from Russian novels and films dealing with revolutionary heroes searching for glory. He imagines himself standing up to bullies and enemies of the state in an imagined World War III and, in his fantasy, is willing to die for his country and his honor with women. He fights for his group, sending a rival gang member to the hospital for a month, sneaks into people's apartments with a self-made key (though he never steals anything), and watches films banned as inappropriate for children by the authorities.Monkey's main focus, unsurprisingly, is a girl whose portrait hanging on the wall of an apartment he let himself into is immediately captivating. His pursuit of Mi Lan (Ning Jing), who is a few years older than him, is, however, fraught with rejection, jealousy of group leader Liu Yiku, and passion that veers out of control. Although Jiang problematically redefines the Cultural Revolution as a period of spontaneity and freedom rather than dislocation and chaos, the film is not about politics but about the perilous transition from adolescence to maturity. Unlike other coming of age films, it is not a reflection of sadness and longing but an odyssey filled with the excitement of a new found freedom and revolutionary ardor.

I'm very down to earth about Chinese films. There's a few good ones like Suzhou River and Zhang Yimou's 'Huozhe' (Life). The rest I find to be overly catered for Western tastes, i.e. plenty of peasants and moralising tales of how bad Communism was for the tiny minority of privileged intellectuals.This film is definitely an exception. It is about a boy growing up in the Cultural Revolution, but shows the era with a kind of nostalgia that perhaps may be somewhat alien to the Western psyche. If you really want to learn something about how China experienced 'the Sixties,' then watch this if you can get a hold of it.On the down side, this film appears to be almost completely unavailable. If anyone knows of a DVD or video release anywhere, it would be much appreciated.

it reminds us of the first love we had long ago, and nothing can restrain the passion of those young with full of confusion and possibilities. We are always amazed by those colorful characters formed under the certain political time. This film has successfully reached to the part that all human beings share with no matter what political conditions. Although the specific time is long gone and would never come back to China, those old, pure and simplified memories would never fate away. It will always be part of the history and part of us. It is not that simple to tag that time as wrong or right, it was just there, always there, with some smell some colours we never want to leave behind.

I saw this film for three times, 6 times of videos. this is the best chinese film i saw. the beautiful music is from Mascarnni's Rustical Calvary(???) also used in Raging Bull by Martin Scorsese