This is the story of a young Irish woman who comes to Spain to escape from the pressures she feels about her impending marriage to a political activist in Ireland. But in Spain in the 1930's, taking a job of governess in a wealthy family, she finds the same kinds of political unrest. In fact, it isn't long before she finds herself attracted to a married man who is similarly involved in the struggle against fascism and Franco. This awakens her to her nature that brings her to such men and resolves for her what she must do about the life she left in Ireland
Reviews
Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast
Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.
Exactly the movie you think it is, but not the movie you want it to be.
Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.
The superficiality of this poor film is its main failing. The Spanish Civil War was not explained at all, much less its byzantine structure, and the whole thing looked to me like an early Disney movie in Technicolor.The music was loud, overbearing, and trite. The bullfight stuff was sanitized, romanticized, and looked like some grade-schooler's idea of what a bullfight might be like. The commentary on the part of all the actors was juvenile and to me insufferable in its naiveté.The romantic stuff was wooden, rote, and simply ghastly, as Maggie Smith might observe.I know a lot about the SCW and Spain and this movie represented none of it. I have no idea what caused others here to think it good.
It seems that some people still don't realise that it was Franco who was the rebel, against a democratically elected government. Part of the tension of the film stems from the fact that father and son are supporters of that government, despite its weaknesses and divisions, and that the wife/mother figure believes that Franco will save the upper classes from socialism.Penelope Cruz has a very minor role in this movie and the role of younger sister is much more important. The differing political views of the sisters are in large part a reflection of differences between the mother and father.To me the romantic element was not key to a movie which I perceived to be in equal measure about culture change and the social attitudes of the period.BTW, Polly Walker reminded me strongly of a young Sophia Loren!
This was a very boring movie for me, I have to say. There was no excitement, no real emotions, no passion... Just a fake dramatic romance, set on purpose during a political turmoil (any kind will do...), like so many movies are, without anything political to say (...fascist or royal regimes are mostly preferred). So what we get is a typical romance, with old-fashioned, TV-style direction and over-dramatic performances with extra schmaltz. Yes, exactly like a Mexican soap opera. (Mexicans, don't take it personal, but in Greece a lot of Mexican, Brazilian etc. soap operas are on TV every day). So, if we get so many soap from our TV sets, why should we watch one on the big screen?
I really wanted to love this movie. I did love Vincent Perez, who always imbues his characters with smoldering good looks and charm and fine character. But there was no motivation for their romance, other than the fact that he was a man and she was a woman, and the movie was a love story. We never see why he falls for her, especially since he is rarely in the house with her. More chemistry is generated between Lavelle and her friends, and between herself and the family she takes care of. And the ending, without giving it away, made the movie kind of pointless. Rent it for Vincent, not the story.
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