People are voting emotionally.

i must have seen a different film!!

Am i the only one who thinks........Average?

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

This film from Quebec is a quiet family drama, and requires patience to appreciate. Not much happened in the film except for Gaby, an ageing farmer close to retirement, attending to his live stock, 24x7.His has two adult daughters living in the city, who seldom visit him. But when one of them got into financial trouble, Gaby made a tough decision to help her out, thus throwing his regular and regimented life style into turmoil.The film depresses me in the sense Gaby was clearly taken advantage of by one of his daughters, but still made the sacrifice willingly, without considering the impact to his remaining years.This is a well acted film for those who enjoy family dramas, and are interested in gaining an insight to farm life in Quebec.

Canadian writer/director Sébastien Pilote has created a fine little film that in many ways plays like an elegy to times past. The film moves slowly, like a gentle stroll in the Canadian countryside, the action is spare, the acting is excellent and the message is exquisite. Canadian farmer Gaby Gagnon (Gabriel Arcand) tends his sheep on his lovely little farm in northern Quebec and much of the essence of the film is his interaction with the land and the animals that have been his life. He has named the highly regarded farm Bouchard & Sons, hoping his farm will be passed to his sons. But instead of sons he has two daughters – Frédérique (Sophie Desmarais) and Marie (Lucie Laurier) - and both have moved away from the farm to Montreal and into different lives. Marie and her 2 sons visit Gaby requesting financial support: she has left her husband Steve and needs to buy Steve's half of the house to maintain her family. Gaby wants to help her but realizes that the only source of money he has is Bouchard & Sons, which would mean essentially ending Gaby's home and way of life. It is a conflict well resolved by the writer/director.The sense of isolation, need, seclusion and yet camaraderie with his fellow farmers who know and love nothing more than the life of a farm makes this a very nostalgic film. Gabriel Arcand is luminous as Gaby and every moment of his struggle we feel intensely. The film score by Serge Nakaushi-Pelletier is at once simple and eloquent and the cinematography by Michel La Veaux captures the essence of the Canadian countryside. In all, this is a gentle, quiet, slow moving film about emotional decisions and family commitment and traditions and it plays very well indeed.

When people call a film 'intelligent' I usually shudder. Nonetheless, this one is clearly made for intelligent people. There is no doubt about that. Here is an inspired and contemplative movie about an old farmer's life, played excellently by Arcand, which moves along at almost a sedate pace. Yet, it's still very cleverly exacted - insofar as few scenes, if any, are served without building upon overall purpose. Story too is carefully crafted, and I mean 'crafted' in the sense that there was definitely much thinking going on, in the director's mind, to craft such a sublimely ruminative movie out of its many transcendent elements. In particular, regarding its screenplay - had this movie stated that it was 'based on a true story', then I wouldn't have blinked an eyelid. Need more be said? The reality is also that few viewers will like it. Mass appeal and this movie will 'ne'er the twain meet' - as there are no bangs, 'naughty affairs', nor 'action sequences' herein; unless, that is to say, the shearing of a sheep counts as an 'action sequence' in your life! On that note, please know that I'm not someone whose attention is easily maintained. Nonetheless, despite my declaring as much, I can still assure you that here is a movie which still held my attention from its beginning to its end.Here is a sensitive movie which should be watched by anyone who truly appreciates the true art of narrative driven, independent cinema. That is to say, if you need an adrenalin hit from your movies, then steer well clear of this one. For those few of us, who can appreciate when much thought and sensitivity has gone into the making of a movie, this is nothing less than quite masterly, in almost all respects - from its lilting musical score to its direction and acting. Even the movie's supporting roles were played with absolute credulity.A 'near' masterpiece perhaps? Had its ending been better, that is, more conclusive and satisfying, then I would unquestionably have give it the full '9/10'. For in only that respect (its weak and inconclusive ending) can one point towards a negative; but please don't let its only weak-point put you off. Instead, please revel in the ninety five percent of the movie which equates to true cinematic greatness - in the tradition of independent European cinema; A cerebral landscape - where realistic narrative drives the movie's increasingly reflective story forward: sort of 'Rohmer comes to Canada'! In conclusion, at (its current) 7.x out of ten, this is, alas, one of the minority of movies on IMDb which is rated fairly. Yet, were it not for its inconclusive ending, then I'd have had no difficulty in calling it a 'masterpiece'. Still, I gave it an 8/10 for the foregoing reasons. Savour and Enjoy.

According to a World Bank report published in 2012,the population density (number of people per square kilometer) in Canada was last reported at 3.75 in 2010.This explains how peculiar is the case between land and people in Canada,a huge nation with vast land resources where it is almost impossible to find a human soul for hundreds of kilometers.A very small part of this aspect has been depicted by director Sébastien Pilote in his latest film "Le Démantèlement"/The Dismantling.At the core of the film is Gaby a quiet farmer who is happy living on his farm with his dog and sheep.The arrival of his daughter with financial worries and other circumstances force him to part with his farm and its animals which he reared as if they were his own children. The clash between ancient and modern is quite evident in this film as Gaby has not known any other form of life beyond the confines of his farmhouse. This is why something as elementary as an internet connection does not make much sense to him. Like in his first film "The Salesman",director Sébastien Pilote seems to continue with his concern for the underdog and a way of life which would soon disappear. He shows us that Gaby is an ordinary man whose disappearance would herald the disappearance of a good part of the village. There are religious associations too with this film.However, it would not matter a lot to this film if they are kept in the background. The film is rich in its narrative structure and clearly explains what is happening in Gaby's life and under what circumstances ? Actor Gabriel Arcand, brother of important Canadian director Denys Arcand, looks extremely convincing in his role as Gaby-a farmer who sacrifices everything to make his family happy. What makes his help special is that he does not boast at all about what he is doing.Lastly, a great film for those who are researching the phenomenon of the disappearance of smaller town and cities and factors related to it.