In a dog-eat-dog world, Raimundo Nonato has found an alternative way to move ahead: he cooks. No matter what social strata this deceptively innocent young man inhabits, he hones his skills and sharpens his knives—and then he falls in love. Jorge's nimble comic fable provides a smartly constructed gastronomic allegory for ambition and survival.
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Great Film overall
Blistering performances.
A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
Story: It's very simple but honestly that is fine.
This movie is worth it just for the camera work. There are so many scenes that just grab your emotions by the throat and jerk them around with how strong the image is. The camera captures trivial moments with such detail and delightful symphony that these details become overwhelming to the enchanted viewer.The story is not really amazing or surprising, but the movie does a great job of making that irrelevant. It's a character movie that allows you to see how food moves a main character in its relations with the world. This main character, albeit simple, never ceases to surprise us with the quirky way he sees the world. Add a little bit of food magic, and you've got this movie wrapped up.A simple thing, yet a joy to watch.
I thought this movie was reasonable... it tries really hard to come off as convincing that an impoverished transient born in the most godforsaken land in Brazil could become a master chef at a luxury restaurant.. it's obviously possible, even more when that's what the script says happens. Anyway... the 2 story lines show our man Nonato in jail for an unknown crime and his induction into the world of food. In the process, he falls in love with a prostitute, believing she is pure of heart... Now, we are expected to believe that his murderous rages are unleashed by alcohol, which would lead to assume that he operates at an inhibited level routinely. This is hard to swallow.. he is the most naive and submissive person possible, what the hell is there to be inhibited... Anyway, that's beside the point, everyone has primitive urges that can be released by a diversity of triggers. This is compounded by the idea that he develops (SPOILLLERRRRRRRRRRRRRRRRRRR) a plan to poison the alpha male in prison in order to get the top bunk-bed, and does so without the social lubricant. I don't know.. it's a semi-entertaining movie... but still... It also tries to show a symbolic meaning in how he butchered the hooker at the end. Watch it if you can do so for free.
A poor Brazilian guy (cliché) from the northeast(cliché) comes to southeast (cliché) to get something and be someone(cliché). He is so silly that does dumb things and get in trouble (cliché). Its a great movie (wow, not a cliché).I'm not complaining. The movie is really really fun. Its well written and you get into the story and the main character. I've just forgot about all the clichés and watched until I discovered why he was arrest (as you know in the first second of the movie).The only thumb down is about the others characters. Seems like they've put all the efforts on the main and forgot about make them look real or possible.
I enjoyed very much this film. It seems to be a simple story about a man -Raimundo, who comes to the big city and earns his living doing the only thing he knows: cooking. His talent leads him to know the owner of an Italian restaurant, and a prostitute. I like very much the way the film shows the relationship between them: seduction, obedience and competition. the story is easy to follow, amusing and sometimes funny. Anyway, I don't think this is all. Estomago (stomach) provides an interesting and sharp looking to our society: Both in business and in prison, there are rules to follow; power relationships according to abilities, strength, or money. Everyone is a victim in some way, but it is also guilty.