It is a performances centric movie

Best movie ever!

This story has more twists and turns than a second-rate soap opera.

Story: It's very simple but honestly that is fine.

That's what all the characters, with the exception of Andrea, are - dead, emotionally; as one of them says 'I'm like a dry river bed'. A group of young men with a penchant for drugs, girls and parties decide to try and break into the heavily controlled pornography industry in Nice with a cynical ingénue called Laure as their main product. The film charts the disintegration of all the characters as drugs, guns, sexual excess and the pornographic industry take their toll on each life. Even Andrea, the film's conscience, is eventually consumed by this world and its trappings.Laure is a commodity amongst all the men except Andrea, the guy who unwittingly introduces her to the other when they are dabbling in soft porn photography. Laure, described as 'purity in a brutal world', is used as the film's narrator to reflect on life. Her reflections are frequently accompanied by repeated visuals of her removing make-up after the making of one particular pornographic film that we are left knowing is destroying Laure.This film is a critique of pornography's production and the feckless upper (middle) class of Nice who have money and influence enough to seduce and take advantage of those vulnerable with ambition and aspiration, such as Laure. It is most certainly not a film noir and it is really bizarre that it has been described as such by others. The director critiques the belief that 'straight or porn {films}, the camera's the same' and Laure's naive belief that posing topless is no different from making a pornographic film. It is and the camera of a porn film does not treat its actors well. The women of the porn industry want to make it as mainstream actresses or like Laure be a big name, someone significant. Their expectations of achieving this through porn are disappointed.Early on Laure asks: 'isn't fate the assertion that the game is up?' The ending has an inevitability that seems fated as life calls time on the game the characters play. The concluding events whilst unsurprising are still brutal and shocking.

After watching about thirty minutes of this film, that's exactly how I felt: already dead.Despite what other reviewers seem to feel about this film, it isn't noir, it doesn't come across as sincere and it most certainly is not "great stuff".This is just one of those "add a dash of sex, stir in some drugs, and set it in a good location and you have a film" films. The only things they forgot was the script, tight direction and good acting. There are far better films in this genre.By the time the guns come out a blazing, you'll wish they hit you as well as everyone else within sight. Anything to be put out of this misery. To avoid.

Too bad, that not many people have seen this movie. It just happened that I lived in Paris when the movie came out - and it was the right movie at the right time - exactly reflecting certain feelings I had. It's hard to explain a certain mood to others, for me this movie was just perfect ... if you get the chance to watch - take it ... maybe you will like it as much as I did.

Cocaine, guns, porn flicks, and the french riviera. A bunch of young people on their way to hell, a tragedy with the human scope of Shakespeare, and without the wordly moral common sense he was bound to. A great film encompassed by the unstoppable desire of the characters, where it seems everything is going out of control. The score by Bruno Coulais underlines it, like a regretful and ambiguous complaint, suggesting the tragic beauty of young people being consumed.One of the boldest, best french films of the last years.