Upon returning to Nashville, Tennessee after spending the summer in northern Florida, Eli Hayes, still in the grips of depression, sunk into the isolation of his apartment and continued to close himself off from the world. Nearing a state of agoraphobia, Hayes once again turned to his camera, and the act of capturing images, as a therapeutic means of reengaging with his surroundings. Companion pieces, "After Summer" and "Static" are slow landscape films, examining the textures of nearby environments through gradual expressions of light, color, and movement.
Reviews
If you don't like this, we can't be friends.
If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
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