The highway to hell runs straight through a college campus in this compelling thriller about a killer truck. After helping a pretty co-ed out of a nasty domestic situation, Jim Travis gives the girl a lift home. But once on the road, the situation takes a white-knuckle twist as Jim gets into a frightening duel with a crazy truck driver.
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Reviews
Best movie of this year hands down!
As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.
The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.
The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.
Boy, am I in the minority about this particular film. You see, I thought this movie was a lot of good, silly, rousing fun. Sure, it's a cheesy B-picture, but it does the trick and delivers the stirring goods, which makes it a solid film in my book. Okay, with that obligatory explanation stuff out of the way let's get on with this here review.After they accidentally cut off an ominous giant black pick-up truck on the highway, both dashing limousine driver Jim Travis (firmly played by perennial straight-to-cable TV feature topliner Casper Van Dien) and his fetching female passenger Sonia Walker (the very cute Danielle Brett) end up being relentlessly terrorized on an isolated patch of sticksville mountainside backroads by the pick-up's dangerously unbalanced and irritable wombat driver. Veteran director Sidney J. Furie tackles the admittedly trite "Duel" rehash material with commendable flair and aptitude, keeping the pace sprightly and unwavering throughout, creating a reasonable amount of tension, and staging several truly spectacular bash 'em, crash 'em and smash 'em up car chases and automobile stunts with smack dead on-target exciting results. Moreover, both leads turn in personable performances, the dialogue possesses real snap and wit, there are a few genuinely startling plot twists, the blaring rock score totally smokes, and, most importantly, we've got no pretense whatsoever to be found in a single fleet frame of this amazingly vigorous and galvanizing little beaut.
There seems to be a craze to make movies from original sources such as comic books and even video games, and some of them have been quite successful. So I really wondered if a movie called Road Rage was going to resemble those noisy theater lobby games where hyped up virtual cars go flying madly around a screen moving faster than warp speed, to the accompaniment of blasting rock music, and how long they could keep it up anyway. The answer is, it did resemble the games, and they kept it up for about 100 minutes of really harrowing chases interspersed with just enough character exposition to keep you wanting to stick another quarter in the slot so the game wouldn't stop.The plot was rudimentary and the characters rather sketchy, but somehow I found myself really getting into the chase, wincing as I watched careening cars, exploding fireballs and demolished structures, and wondering if we were ever going to see behind the darkened windows of the demon truck, and just who was going to survive the mayhem. It didn't take long to get to the point where I want to see the Neanderthalean Bo get squished between a rock and hard place, or bus and mountainside, or whatever current obstacle course was being presented, but this wasn't entirely Luke & Leia vs. Darth and the Dark Hordes. The rescued Sonia could be a mouthy and irritating, and Jim wasn't ready to roll over on his back and surrender to the alpha wolf before doing a little stunt driving himself, after which he shouted in a burst of testosterone-fueled glee, 'I'm the man!' As Sonia rightly pointed out, there was a certain amount of just plain old Y-chromosomal orneriness in both hunter and prey, and she wasn't always certain she wanted anything to do with any of it. Not until one of them tried to shoot her, at any rate. That pushed her over the edge; she not only cried and screamed, she retaliated.The characters' reactions may not always seem consistent or credible, but on the other hand, do we really know how we would react in a situation like this? Sometimes the surprising reaction to being scared witless is to make a stupid joke; then we might shift into defiance, or cry, or throw up-terror manifests in myriad ways. The ending was reminiscent of Speed, with one creepy difference-the last spoken word in the movie. Were we supposed to be left with a feeling that perhaps Fate had engineered a minor tragedy here, that this wasn't just a couple of simians acting out 'the same old story, a fight for love and glory'? Nah. Couldn't be. It was just a fleshed-out video game. Wasn't it?
Here's a movie that's hard to watch, but easy to review.Acting = so wooden that it stinks. Likeability of characters = so self-centered that they stink. Story = so derivative and transparent that it stinks. Plot = so predictable that it stinks. Writing/dialog = not good enough to stink. Action scenes = so ridiculous that they stink.A few people rated this movie a "10". I think they must include the director, producers, actors, maybe even the electricians who worked on this movie. But they must have had a few drinks, or no conscience when they voted. 2 stars out of 10(3 stars if you've had a few drinks, or no conscience.).
Though the title "Road Rage" seemed promising, I must confess I couldn't keep watching this movie...it was like witnessing an awkward tragedy, I had to turn away.When the chase scene first starts, the dialogue between the guy and girl in the car is ludicrous, and their almost frivolous emotions don't match the situation. If they were truly being followed by someone like that they wouldn't be having that conversation, the driver wouldn't care if she smoked in the car, and he certainly wouldn't go after him once it stopped.The car chase scenes were unbelievable, in real life a 5 car pile-up would have occurred immediately, everyone knows you can't get around other drivers in rush hour, even if your life depended on it, never mind evading accidents on the freeway for long periods of time. Explosions don't happen quite so easily either.The cops probably wouldn't have drawn guns as the car slid into their parking lot, and probably would have tried to be a bit more helpful since the whole thing was a threat to public safety.The "relationship" which develops between them is unbelievable. There is no chemistry, it is not plausible she would invite him back to her house after what happened--since he chose to go after the truck after it stopped chasing them. The cutesy dialogue between them has no weight, just like the rest of the movie. It's proof that making a movie is very complex, just throwing in a few successful elements from other movies doesn't necessarily work.Was this thing written & filmed by high school students?