To me, this movie is perfection.

A Masterpiece!

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

"The Hellstrom Chronicle" won an Academy Award in 1972 for best documentary -- (supposedly) presented by a (fictitious) filmmaker named Dr. Nils Hellstrom. Fans of science fiction writer Frank Herbert (author of "Dune") might like to go on and read Herbert's "Hellstrom's Hive" (1973) in which Dr. Hellstom is the principal protagonist.

"The Hellstrom Chronicle", a well-done science mocumentary, came more than thirty years before Al Gore's "An Inconvenient Truth," but the parallels are uncanny.Both movies received undeserved Oscars in the documentary field.Both were fake.Both fooled a lot of people who might otherwise have been assumed to be intelligent.The frightening differences are that "Hellstrom" did not spawn a religion of hysterical fanatics who want to destroy our quality of life and our economy."Hellstrom" was never used as a bible to brainwash college students and even innocent school children.The producer of "Hellstrom" was not given the Nobel Prize (presumably the Nobel still had some credibility in 1971).And "Hellstrom" was ultimately laughed off as a silly piece of entertainment.Which is exactly what should happen to "An Inconvenient Truth."

"The earth was created not with the gentle caress of love, but with the brutal violence of rape."This portentous statement opens THE HELLSTROM CHRONICLE, a stunning quasi-documentary which is, in its own way, one of the most frightening movies I've ever seen, with themes that are eerily prescient in today's world.Winner of the 1971 Oscar for Best Documentary, this mostly non-fiction film - the dark side of MICROCOSMOS - recounts the history and nature of the insect world, as well as the myriad ways insects are more equipped to outlive Man in the long run. Insects have a 200-million-year head start, don't have feelings, don't ponder their own existence, don't fight within their species, can adapt to their surroundings, live harmoniously with their environment, have been using "robots" and the airwaves long before we came to be, and aren't afraid to die. Nothing Man throws at them (like pesticides) can stop their reproduction; insects quickly develop immunities while Man chokes on its own weaponry while polluting its environment. And, it would take Man a million years to repopulate the world after nuclear fallout; insects could do it in three weeks.This ominous storyline is framed in the film with Dr. Hellstrom, a fictional entomologist who narrates with an effectively brooding yet pragmatic tone that somehow comes off as dire but soothing. Some may feel that the human segments of the film distract from the force of the narrative. I, however, believe these breaks from the storyline give the viewer a breather, for the foreboding menace would be nearly unbearably intense otherwise. Also, there is one segment of the film that's obviously faked, but that's okay: it wouldn't have been prudent to film it realistically, and it nonetheless succeeds in making its point as is.Similar to THE BLAIR WITCH PROJECT in that what's waiting for us in nature is scarier than any boogeyman, THE HELLSTROM CHRONICLE raises questions about Man's arrogance - our fatal flaw which will be the reason for our ultimate downfall. While the film never uses the word "God," it speaks of a "Creator," and ponders the significance of the only species that believes in a higher power yet uses "intelligence" to disprove its existence. THE HELLSTROM CHRONICLE is edge-of-your-seat drama about the horror of war and our inevitable fight to the death with the insect world - a battle that we're sure to lose. 10/10

The Hellstrom Chronicle is a documentary about insects wrapped within a fiction. Visually it's incredibly stunning, very similar to Microcosmos in its "how did they get that shot?" camerawork. The film is narrated by a fictional scientist who claims that the final two lifeforms on earth will be man and insect, and when they face off man will lose. This places a very ominous slant on the action, and instead of Microcosmos's wonderment at nature we are treated with Hellstrom's dire dissertation on the various advantages insects have over humans. The voiceovers are hilariously over the top, and the musical accompaniment is splendid in its portent of doom. The movie does tip its hand with an obviously set up hidden camera segment 3/4 of the way through, though the knowledge that Hellstrom is a fiction doesn't diminish the drama. By the end I actually appreciated the kooky construction, which gave the filmmakers a rationalization to deal with some of the harsher aspects of insect life.