The film may be flawed, but its message is not.

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

The acting in this movie is really good.

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

Bertram Stern (Oct. 3, 1929 – June 26, 2013) was a school dropout-turned-soda jerk in Brooklyn who eventually found his way into the mail room of Look magazine when he was just 16 years old. After serving in the Army, where his talents as a photographer landed him the opportunity to shoot pictures of the beautiful ladies of Japan, Stern won an award for an amazing Smirnoff vodka ad; this led to his legendary career as a portrait and fashion photographer, with famous subjects including Liz and Dick, Audrey Hepburn, Sue Lyon, Twiggy and, most famously, Marilyn Monroe (he also co-directed a highly-acclaimed 1959 jazz documentary, "Jazz on a Summer's Day", snippets of which are seen here). Directed by his third and final wife, Shannah Laumeister (who hoped to be Stern's next discovery but settled on being his wife and muse), this documentary is not (surprisingly) filled with colorful anecdotes on the rich and famous. Stern (who resembled a more-handsome version of Hugh Hefner in his youth) tells very few behind-the-lens stories; he comes off as a would-be self-effacing man, modest to the point of being arrogant about his modesty, who doesn't think he himself a very good subject. Not all of his celebrity photographs are worthy of the praise he has received (some of the women, with their faraway eyes and sad mouths, look rather hard), although his advertisement layouts are still striking today. This is not an incisive look at the enigmatic Stern, but that's not due to Laumeister's lack of effort. Everything is here for a great film-record of Stern's life, but he appears to have taken the best chapters to his grave. ** from ****

I just saw this at the Toronto Hot Docs cinema. If you like colours, this movie is for you. I wasn't familiar with Bert Stern, but now that I have seen this movie about his work I can see how unique he was. The contrast between magazine covers from the early 60s to his vision is astounding. The pyramid shot is brilliant. The film flows more or less in a time linear fashion. Bert explains his feelings for the various pictures as we go along. His explanations are short and succinct, you can sort of feel instinctively that he is a visual person and he works out every detail of a shot in his mind, then it all comes together without explanation. I thought the Marilyn Monroe shots with the orange markings were very interesting.

I saw this documentary at the MSP International Film Festival last night and I just loved it. It didn't hurt that Shannah Laumeister, the writer and director, was there to provide additional and very personal perspective on this remarkable man. I hadn't recognized Bert Stern, but I learned that he directed Jazz on a Summer's Day, which I saw at a film festival in Seattle a couple of years ago and which is one of my all- time favorite movies. Stern was imaginative, artistic, and extremely successful at what he did. His career gave him many opportunities, including access to many of the most beautiful women in the world, and his photos are simply amazing. My wife, on the other hand, didn't enjoy it nearly as much as I did. It would be interesting to know if the film generally appeals more to men than to women. One distressing thing we learned from Ms. Laumeister is that no one has archived Stern's extensive collection of negatives. Unfortunately, that probably means that the colors have deteriorated over time and will continue to do so. It's interesting that the next movie we saw at the festival was the restored version of 1902's "A Trip to the Moon."

I just saw Bern Stern: Original Mad Man at the Palm Springs International Film Fest on January 14, 2012. It was an amazing documentary about an amazing man. I had seen many of Stern's photographs in magazines and print advertisements over the years and had never connected them to the the person who took the photographs. The film had a nice mix of interview dialog and still photographs to tell Stern's story. Kudo's to Shannah Laumeister who was the producer, director, artistic director and cinematographer who put this wonderful film together. After seeing the film, I hope Stern can find something satisfying to do with the remainder of his years. I hope I can find a copy of his 1952 classic, Jazz on a Summer's Day.