The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Roberto Minervini is an Italian director who elected to share this sensitive coming of age story about 14 year old girl in a family of goat farmers in Texas. Without the benefits of a cast of actors he manages to create not a documentary but instead a quiet observation of what life is like in the rural parts of a too fast world – a place where values are different if not always better. Sara is a young girl raised in a family of goat farmers. Her parents home-school their twelve children, rigorously following the precepts of the Bible. Like her sisters, Sara is taught to be a devout woman, subservient to men while keeping her emotional and physical purity intact until marriage. When Sara meets Colby, a young amateur bull rider, she is thrown into crisis, questioning the only way of life she has ever known. STOP THE POUNDING HEART is an exploration of adolescence, family and social values, gender roles, and religion in the rural American South. With minimal dialogue, amateur non-actors, and majestically beautiful cinematography this is a film that is a pastoral. It deserves our attention.

This quite slow-paced drama, which often plays like a documentary and uses non-actors in its presentation, does offer some quiet realism which at times I found interesting and intriguing.It focuses on Sara, a teen living in a wooded and isolated Texas town, who's being raised in a deeply devout Christian family. The film follows her as she attends family Bible study (the entire family is being homeschooled), cares for her younger siblings, and talks with her mother Leeanne about life and relationships. She also tends to a small goat herd which provides goat milk, whose products the family sells to neighbors and at local farmers' markets.However, when she comes in contact with a nearby rodeo troupe, she begins to feel conflicted and torn between the "outside world" and her own strictly religious tenets. To be honest, I expected something dramatic to eventually occur, but it never really materialized.If you're expecting a lot of action in a movie, this is not the one for you. As mentioned, the film, written and directed by Roberto Minervini, will require the viewer to have a lot of patience, and I found some interesting things here that intrigued me. Yet, I would have to say the main feeling I came away with after watching the movie was sadness.

"Stop the Pounding Heart" is a dramatic title for such a quiet, gentle, observant film. The filmmakers offer no real plot to speak of, but instead simply follow the daily life of Sara, a 14-year old girl raised on farm in Texas by a devotedly Christian family. With absolute naturalism, the film observes the details of her life: Sara going about her chores, attending family prayer time and Bible studies, helping to home school the many siblings, watching an actual home birth, practicing shooting with her father. We hear her parent's words as they teach the Bible and talk with deep sincerity of marriage, a woman's "Biblical" role as subservient to the husband, and abstinence before marriage. We see the family visiting the local rodeo and the young bull rider that catches Sara's eye. We slowly, very slowly, observe discontent rising up in Sara's heart.Having been personally raised in a Christian family, and near communities of home schoolers, I have never witnessed such an authentic portrayal of these types of beliefs and this very specific type of American faith. The insider language and internal logic of this community feel absolutely genuine at every moment. The acting is so natural that I'm convinced the players were cast from within that type of community. The people on the farm are absolutely kind, but also insular and self-reinforcing. The film does not judge, but simply observes and ponders. We can understand the pull of such a loving place with so many answers and so many people who all believe the same way. We can also understand the suffocation.While I found the details of the film fascinating to watch, the film offers little else but those details. It watches, and we watch, and hopefully we ponder with it, but those seeking narrative momentum will be left unsatisfied. Those seeking reflection and observation will come away full.

This slice-of-life film is 96 painful minutes of pointlessness focused on sad and tragic people trapped in poverty and squalor. The filmmaker spent 2 months filming these life slices, which he then re-assembled to create what appears to be the observation of a teenage identity crisis. Set in east Texas, the film is a modified documentary-style with very limited dialogue, moving the limited story-line forward through pensive looks, forest walks, feeding and milking goats, and bull riding. The main family is shown repeatedly reading or justifying their lifestyle through their bible interpretations. These scenes are interspersed gun shooting, and with young men covered with tattoos who ride mechanical, and then real, bulls. Through all of these scenes, you suppose that, perhaps, there's a love interest developing. You have a lot of time to think/anticipate what the movie is about since there's so little of consequence happening on screen. Skip this movie and do something more stimulating, like watching moss grow.