Good movie but grossly overrated

The best films of this genre always show a path and provide a takeaway for being a better person.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

My main objection to this otherwise interesting film is that it lacks legal and political context, as mentioned above by another reviewer, and that it also lacks answers to some simple and predictable questions. We as viewers need to be informed about things that the protagonists knew already.Especially, I don't understand how it is possible that the two male family members who were living outside the cave and were the families' contact with food resources etc. were never discovered and arrested, even though the existence of the cave became known to the police. Were the police so obtuse? This question should haven been addressed and explained.We are also not told why it was so difficult for the present-day caver to spot these survivors, since one of them had already published a memoir about their adventure in Canada.

This documentary spells out the horrors humans are willing to inflict upon their fellow humans at the provocation of others! How neighbor can turn upon neighbor to destroy them is just beyond me. But here we have the living testimony of those who survived this sort of nightmare to tell us about it today.We should thank Mr. Nicola for his dedication to investigate why, what he discovers deep into a cave, is there. In doing so a heart breaking story comes to light. The misery so many suffered during WW2 should be told everyday to all who embrace the act of war.If I am not mistake at some point in the movie a statement is made that a priest or police told the townspeople to not help the Jews. Maybe I am wrong, but it is a statement of truth. What has a greater hold on the minds of people than their religion? The people of the Ukraine are mostly Christians. So are the Germans. At this time the Christian church had no problem with the destructive treatment of their fellow religious community members who happen to be Jews. It stands that way today toward whoever the Church deems unworthy of God! If the church had opposed this extermination it would have spoken out against it - but it did not! The Christians went right along with whatever came out of the pulpit.This movie is as much a statement against the lies of religion that deceive the believers as it is a story of the human will to live. Politics and religion are very happy handmaidens!

No Place on Earth (2012) is a documentary co-written and directed by Janet Tobias. This film is really three films in one. The first film is the story of an experienced U.S. caver (spelunker), Chris Nicola, who traveled to Ukraine to explore huge caves that he thought had never been visited. While underground, he came upon some fascinating items--buttons, shoes, combs. Nicola happens to be a professional investigator. He set about trying to solve the mystery of who had left these items behind. When he asked people in the vicinity, he came up against a stone wall of indifference or opposition. He received a few hints that maybe some Jews had (literally) gone underground. However, he couldn't get any hard data. Finally, when he had almost given up, he made connection with one of the survivors of this amazing story.Nicola learned that 38 Jewish men, women, and children had entered one cave, and then another, and had survived the brutal Nazi determination to kill them all. The men went out at night to obtain supplies, but the women and children stayed underground for 511 days! Many of the then-young people are still alive. All of them retain an almost photographic memory for what happened during the period. The second movie-within-a-movie is skillfully produced by director Tobias. She has recreated scenes from the period. (After all, no one was taking photographs, let alone film footage, in the caves.) The recreated scenes struck me as very realistic. Also, of course, before the filming began, the survivors provided the director with the factual information that she needed. In any event, the images were so realistic that it was sometimes hard to remember that this part of the movie was docudrama, and not documentary.Finally, the third film-within-a film follows four of the survivors as they return to Ukraine, with Nicola, and descend again, 70 years after they entered the cave for the first time. As would be expected, this part of the film is very moving and powerful. These people survived the war, they left Ukraine, and they came back to savor their victory over the oppressors.We saw this movie at the Rochester Jewish Community Center as part of the splendid Rochester Jewish Film Festival. It will work well on DVD. As I write this review, the film has an anemic 6.4 IMDb rating. Don't be mislead by that rating. It's a wonderful movie, worth finding and seeing.

As John Anderson of "Variety" rightly notes, "this film defies the notion that the era has been exhausted of its stories, or the ways they can be told..." (http://www.variety.com/review/VE1117948276/). The interchange between graphic re-enactment, interviews of the survivors still with us today, and narrative of caver Chris Nicola, elevate this story from one about mere survival to one about the strength of the human spirit and the value of life. Producers Janet Tobias, Rafael Marmor, Paul Laikin, Nadav Schirman, Susan Barnett, and Zita Kisgergely do more than depict a story. Like the family of 38 Jews escaping Nazi death camps and ghettos, we are led by the courageous matriarch of the family, Esther Stermer, into the deep underground of Ukraine. In defiance of the myths of science-fiction/horrors about the underworld, the matriarch teaches us the truth about the worlds above and below ground in 1940s Europe; the real daemons are to be found up there, while the crutch of life and human spirit is found down below. And when the horror from above tries to come down below, it is confronted with the most powerful living spirit of them all - the spirit of a mother determined to protect her family.The cinematography complements the telling of this story wonderfully. In the darkness of the caves, dimly lit candles bring hope; black-and-white historical videos and the grey tones from a clouded over sky infuse reality into the setting of the horror-world of the above; and the brightness and beauty of the spring blossom in the heart of the war provide a poetic irony that foretells of a coming heartbreak. The detail of the costume design – from broken buttons and worn shoe-laces to the mud and dirt covered white shirts of the eldest Stermer sons to the impenetrable headscarf of the matriarch – add more than mere richness, but a believability that matches the real-life outfits worn by the cavers. Finally, the devil is truly in the detail of the hair and head-to-toe make-up, which give off the festering scent of rot, mud and soak, and serve as a constant reminder that this is a story of real people trying to survive a world in which hell had no barriers, and deserved no place on earth.