James Marcus Haney's journey of breaking into music festivals and inserting himself into the world of some of the biggest names in the industry - Mumford & Sons, Jay-Z, and Edward Sharpe & the Magnetic Zeros.
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Reviews
If you don't like this, we can't be friends.
Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.
This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.
The film never slows down or bores, plunging from one harrowing sequence to the next.
One of the best films about music.Haney illicitly elevates the participant out of the numberless crowd to stand at the focus. No Cameras Allowed is like an acid-trip fusion of At The Max and Kurosawa's Dreams. The sublime cinematography and the intoxicating sense of the forbidden made me want to drop everything and do what Haney does.There is no one who is less in need of actually finishing film school than James Marcus Haney. What he has cannot be taught: unique perspective and the eye of a great artist. I hope that Haney will make many more films because this one looks like the beginning of something awesome.
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