The Worst Film Ever

That was an excellent one.

The story-telling is good with flashbacks.The film is both funny and heartbreaking. You smile in a scene and get a soulcrushing revelation in the next.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Jean Luc Goddard's 'Sympathy For The Devil',or as it's known better in Europe as 'One Plus One' is an enigma (of sorts). The film's European title seems to better sum it all up. When Goddard went to England in 1968, he originally wanted to direct a film with a pro abortion angle, at a time when abortion was illegal. As it turns out, before production could begin,abortion became legal in the U.K. Goddard, none the less, decided to hang out & make a film anyway. He ended up as a guest of the Rolling Stones,where he filmed several days of the Stones in the recording studio,working on the sessions for the song 'Sympathy For The Devil', this footage was augmented with Godard's take on revolutionary politics of the era. The results are a mixed bag that some folk will get, others not so. I attended a midnight screening of this film some years ago with a crowd that expected a Rolling Stones concert film, and didn't get it, got downright ugly (a pity,but predictable for those who lack any knowledge of Godard's fragmentary style of narrative). No rating,but contains rough language,brief nudity & verbal descriptions of some graphic sexual situations.

The 5 marks are for the Stones, caught candidly in the studio creating their definitive anthem "Sympathy for the Devil". Nothing out of ten for the pretentious rants and downright weird concoctions of the director presumably to juxtapose the rebellious anti - establishment stance of the Stones with such movements as the Black Panther and other anarchic cultural thinkers of the times. These vignettes, for want of a better word, with overlapping dialogue, slow moving camera - panning and confusing symbolism - from the dreary ranting monologues by the wrecking crew black brotherhood, over two white woman lying on the ground in blood - spattered dresses, to weird scenes in a small bookshop involving the customers seig-heiling the owner / ranter in between interminable close-ups of adult books on the wall, a politically banal yes / no interview with Eve Democracy - honestly, I'm getting bored just typing this stuff... That said, Godard fails even to capture the Stones properly, the camera again dawdling its way round the studio, focusing on nothing in particular, frequently leaving the main shot as the back of someone's head or languishing for minutes as the boys lounge around between takes. He even fails to emphasise the pivotal change in the song lyric from "Who killed Kennedy" to "the Kennedys" in the wake of the Bobby Kennedy assassination which occurred whilst the song was being put together. Stones fans like me will have to make do with the scraps that Godard throws at us. A pox on him for subsuming them to his pseudo existentialist / anarchic posturing. Thank God for the fast forward button.

As a casual listener of the Rolling Stones, I thought this might be interesting. Not so, as this film is very 'of its age', in the 1960's. To me (someone born in the 1980's) this just looks to me as hippy purist propaganda crap, but I am sure this film was not made for me, but people who were active during th '60's. I expected drugs galore with th Stones, I was disappointed, it actually showed real life, hard work in the studio, So much so I felt as if I was working with them to get to a conclusion of this god awful film. I have not seen any of the directors other films, but I suspect they follow a similar style of directing, sort of 'amatuerish' which gave a feeling like the TV show Eurotrash, badly directed, tackily put together and lacking in real entertainment value. My only good opinion of this is that I didn't waste money on it, it came free with a Sunday paper.

This "meeting" of two of the finest artists of the 20th Century - Jean-Luc Godard and The Rolling Stones - is truly a missed opportunity. The footage of the band recording their landmark song (probably my favorite Stones track) is certainly fascinating, as we watch the initially slow musical accompaniment for the song taking shape and metamorphose into the energetic, percussion-heavy final version we're familiar with. Sadly, it's also quite apparent here that Brian Jones (who sits in his booth playing his acoustic guitar, rarely communicating with his bandmates except to ask for a cigarette and eventually disappearing altogether in the second half of the film) was slipping away fast.Unfortunately for us viewers, Godard (in full-blown "political activist" mode) unwisely intersperses the recording sessions with lots of boring stuff featuring militant black people spouting "Black Power" philosophy in a junkyard, white political activists reading their "sacred" texts in a book shop while members of the general public are made to slap two of their comrades and give the Nazi salute and, most embarrassingly of all perhaps, Godard's current wife, Anne Wiazemsky (playing Eve Democracy!) is seen being followed by a camera crew in a field and asked the most obtuse "topical" questions imaginable to which she merely answers in the affirmative or the negative! As if this wasn't enough, the film has undoubtedly the murkiest soundtrack I've ever had the misfortune to hear (so that I often had to rely on the forced Italian subtitles present on the VHS copy I was watching) and I'd bet that even Robert Altman would have objected to Godard's occasional overlapping on the soundtrack of the Stones recording, the Black Power spoutings, an anonymous narrator reading a (mercifully) hilarious pulp novel, etc. For some inexplicable reason then, the film ends on a beach where an unidentified film crew is filming a battle sequence!! Godard's original intention was to not include the song "Sympathy For The Devil" in its entirety and when producer Iain Quarrier overruled him, he jumped up on London's National Film Theater stage following a screening of the film and knocked him out! Godard's version, entitled ONE PLUS ONE, is also available on a double-feature R2 DVD including both cuts of the film but it's highly unlikely that I'll be bothering with it any time soon...