Following their triumph with Manufactured Landscapes, photographer Edward Burtynsky and filmmaker Jennifer Baichwal reunite to explore the ways in which humanity has shaped, manipulated and depleted one of its most vital and compromised resources: water.
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Lack of good storyline.
If you don't like this, we can't be friends.
A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
Through painfully honest and emotional moments, the movie becomes irresistibly relatable
With the many documentaries that are coming out lately you are used to a high quality. Being because they are funny or because they are very interesting. Unfortunately this ticks neither of those boxes correctly. It seems to wander around like water would once you spill it ... no clear direction.I think there is a very good movie hidden somewhere, but it will be tough for you to find it. It's a shame, because quite a lot of people would interested in more specifics rather just some "nature videos" and a couple of hints here and there, what goes wrong. Just when you think it is heading the right direction, it swerves and goes "wrong" again ... Shame
"Watermark" is the newest documentary by Jennifer Baichwal and you could probably take one quote from it to describe it the best way there is: It's about how water shapes us and how we shape water. Basically it shows us the different way in which water is used today in several branches. These include religion, science, economy, industry...There is really not a lot more to say. The film provides decent information, but it is by no means a must-see. Also I felt that something was missing for this to become a quality movie. It is difficult to name it concretely, maybe the lack of narration, maybe something else. Apart from the occasionally stunning photography and impressive recordings of water masses, this film is really only a must-see for people who live in the areas depicted in this documentary.
Watermark is a movie about water. It is film in a very choppy way and the narrative is not really structured in a way that allows the audience to understand what is going on, yet this movie seems to have something kind of special about it. I believe that the thinking process of the film-maker, to be unique to the film world, which is a positive thing. I believe this movie to be a stamp of the film makers consciousness in the sense of the fragmentation of the pictures, combined with the story. This approach forces the audience to individual the film experience and to piece together the essence of the movie.Having lived in British Columbia, Canada and having lived near the Fraser River in Canada, I can understand the beauty that river water has. The natural flow of water is a profoundly spiritual sensation because of the beauty of flowing water combined with the sound of rushing water, on the other hand, river water can be very destructive out of her own nature, as when the mountain snows melt and dams break and houses and human lives get destroyed, there is a feeling of utter helpless and despair that goes hand and hand with the profound beauty of water. One of the main conflicts in human life is man against nature. And to me that is what this is movie is about.
Edward Burtynsky's and Jennifer Baichwal's documentary Watermark is a celebration of human stupidity. The film's explicit theme is the interdependence of man and water. It shapes us and we shape it. As an organism we're born in water and we can't survive without it. It's the essential bond not just between man and nature but between people. Burtynsky's whole career has centered on the world we found and how we are changing it. But the implicit theme is our folly. In the Vegas desert Bellagio's stages a magnificent exhibition of dancing, orchestrated fountains. With water. Brilliant that they have the imagination and technology to do that. Gob-smacking idiocy that they so wastefully do so. So too the aerial view of a private swimming pool in a backyard, that draws back to reveal a city full of separate homes with separate pools and separate marinas.Every twelve years 35,000,000 Indians make a pilgrimage to the Ganges, where they wash away their sins by washing their clothes, bathing, and filling their plastic water bottles in the -- may we surmise 'unclean' ? -- river. That they survive until the next festival measures out their imperviousness to logic and to care. We cut to the Western equivalent: a massive crowd gathered on the shore for the US Open surfboard competition. So many cultures, so many gods. To Burtynsky's credit he doesn't explicitly comment on these follies. They speak for themselves. Of course water gives us a chance to show our worth. A community of abalone-fishers link their nets and operations to help each other. They confirm their interdependence (unlike the community with as many pools as families). But the fishermen know their plenteous preserve is only for the while before it dies. As will their community. In Greenland scientists plunge down through millennia of ice to draw up analyses of historic climate readings. But having fine scientists doesn't mean we're not stupid enough to ignore them. As the filmmakers doubtless know, the Canadian government of Stephen Harper has been systematically throttling its scientists, both physical and social, reducing funds and freedom for their research, suppressing their findings, preventing any possibility of their science countering the government's ideology. For more see www.yacowar.blogspot.com.