Kay and June, two showgirls, are hurt when they seek financial help from Daisy. On Daisy's wedding night when she is rendered missing, Kay and June decide to look for her to claim the reward.
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Good start, but then it gets ruined
Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.
A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.
It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film
Kay (Glenda Farrell) and June (Mary Brian) have gotten away from the chorus line in New York and are living it up in a posh Palm Beach hotel, but the price is leading on elderly wealthy Kenneth Van Deusen (Guy Kibbee), and hoping he will just continue to be led with no sexual payoff. He gets tired of the routine and leaves the girls owing a 700 hotel bill. Their solution is to find another wealthy guy, but this time the guy (Ben Lyon as Henry Gibson) is engaged. And he is engaged to somebody they both knew in the chorus line (Peggy Shannon as Daisy), but who snubs them by saying she doesn't know them. The girls have their problems solved when an old friend (Lyle Talbot as Raymond Fox) offers not only to pay their hotel bill but pay their train fare back to New York. When Kay and June miss their train and have to stay an extra night, they hear on the radio the next morning that newlywed Daisy is a "girl missing". Gibson, her new husband, is offering 25000 as a reward for returning her, and Kay and June decide to stick around and solve the mystery. There is a car chase along a seacoast highway, a dead body found on a bench, and a note with a dagger through it saying "you are next". This thing is pure rat a tat action and precode one liners , largely powered by brassy Glenda Farrell who really carries the weight of the energy of this thing. Kibbee is great in his small role as the frustrated wannabe lover. Edward Ellis is memorable as the very skeptical police inspector. Watch this one if you are in the mood for some precode goodness Warner Brothers style.
Although some DVD distributors obviously think otherwise, crime does necessarily induce a movie to fall into the category of film noir. Take "Girl Missing" (1933), for example. Here we have a delightful "B" outing in which fast-talking Glenda Farrell and super-luscious Mary Brian try to penetrate the disappearing act Peggy Shannon stages on her wedding night. All three women are most enticingly gowned by Orry-Kelly, while Arthur Todd's photography, as might be expected, tends to be appropriately light and bright. In the main, although director Robert Florey handles the movie with speed and efficiency, he tends to concentrate more on the players (Ben Lyon, Guy Kibbee, Harold Huber, Helen Ware, Edward Ellis, Walter Brennan and company) and their pungent dialogue than on either the on-screen crimes (murder and attempted murder) or the actual mystery. So, be warned! The situations in "Girl Missing" mainly serve to provide new twists in the plot. And that plot is mainly not what most customers would expect of a mystery thriller. Admittedly, there are a few thrills, but I would describe "Girl Missing" as mainly a comedy of manners.
Instead of the usual two guys as sleuth and sidekick, Girl Missing features two gals, blonde Kay (Farrell) and brunette June (Brian). I guess shaking a leg in a chorus line sharpened their Sherlock skills. Add mystery girl, Daisy (Shannon) and you've got lots of 1930's eye-candy along with the styles and fashions. Seems Daisy mysteriously disappears on her wedding night to a wealthy man, Gibson (Lyon). Her secret is she's a gold digger, but what good will disappearing do since how then can she collect. Thus the mystery begins.This is pre-Code Warner Bros., so how can you lose. Even programmers like this 69-minutes are full of snap and sass. As a brassy dame Farrell belongs up there with Blondell and Rogers. Here she's full of ideas and push, but cutie Brian gets the guys. Together there're a good team, causing me to wonder if WB had series in mind. There's also an unusual wind-up since there're two plausible solutions to the mystery, one implicating apparently nice guy and male lead, Gibson. And catch those rickety old flivvers rolling down the road. I'm surprised they ever held together. Also in passing, check out actress Shannon's bio in IMDb—it's on the tragic side, especially since she had the screen talent. Anyway, the movie's an entertaining way to pass on hour, without being anything special.
Motor-mouthed Glenda Farrell adds sass and vinegar to this better-than-most crime programmer dating from the early sound era. She and Mary Brian play a couple of New York gold-diggers stranded in Palm Beach when frustrated sugar daddy Guy Kibbee sticks them with an unpaid hotel bill. Spurred on by the prospect of a big reward, they get mixed up in the bridal-night disappearance of yet another gold-digger (Peggy Shannon), whom they know from her days in the kick line, but who managed to snag a millionaire (Ben Lyon).In the course of their meddling, they encounter an old pal (Lyle Talbot) who seems anxious to get them out of town; a pair of overstuffed hams posing as a society couple (Helen Ware, Ferdinand Gottschalk); and a body in the hotel gardens, still smoking a cigar. Film buffs will catch brief appearances by Walter Brennan, Louise Beavers and Dennis O'Keefe.Without ever really losing sight of its mystery plot or lapsing into the `comic,' Girl Missing brandishes a lot of racy, pre-Code wit, dished out mainly by Farrell. Most of the credit can no doubt go to scriptwriter Jules Furthman, whose credits include Shanghai Express, Bombshell, The Big Sleep and Nightmare Alley. The rest can go to Frenchman Robert Florey, whose directorial career may not be quite so distinguished but bears watching: Cocoanuts (the first Marx Brothers movie), the first `talking' Murders in the Rue Morgue, and a few noirs like Danger Signal and The Crooked Way. Girl Missing succeeds because of good teamwork, and it had a great team.