Pretty Good

Best movie ever!

Absolutely the worst movie.

It's an amazing and heartbreaking story.

I just watched a 50-minute version of this low-budget "race" movie. It stars Ralph Cooper as a gangster having a couple of rivals killed so he takes over the town. Gladys Snyder is the singer Cooper's in love with but she's more of the kind willing to call the police if she knows how much in trouble he's in especially if one of them is an old buddy of Cooper's. I'll just now say that while there are some exciting fights and chase scenes, this seemed like a by-the-numbers take on the gangster genre. Still, Gang War is worth a look if you're curious about these kind of movies made when much of the country was segregated meaning movies like this would only be shown in those theatres meant for the black audience. P.S. IMDb lists Ernie "Sunshine Sammy" Morrison as playing a gang member in this one but I haven't seen anyone who resembles the former Our Gang member as an adult. Maybe when I watch some of his East Side Kids movies, I'll be able to identify him in this movie later on.

Gang War (1940) ** (out of 4) Another early film from the black cinema, this one directed by Leo C. Popkin. This is a gangster picture about two rival gangs fighting over a profitable juke joint. Once again this film features a very small budget since it would only be shown in black cinemas but the director and screenwriter hold back no punches and make a pretty good movie. The opening bar fight is terrific and there's some nice police chases and shootouts as well. The acting is quite poor and brings the film down a few notches but this one here is certainly worth checking out. The director went on to produce D.O.A. and star Ralph Cooper was billed as "The Dark Gable" or "Bronze Bogart".

Ignore the fact that this is a movie with an all black cast and just take it for what it is, a really good crime drama.The plot of this little gem has Bob "Killer" Meade making his move to take over the gangs in Harlem after his boss refuses to do anything about a friend who was killed in a gang fight over territory.Meade kills his boss and then begins to move to increase his hold on the rackets and fight the other gangs. Its a violent affair that only pauses for time out with his girl who's an up and coming singer.An hour long this is a fast moving and very violent film. I would have thought that some of the nastiness of this film would have been banned by the production code, clearly the rules were being ignored by some independent producers. This film hearkens back to the precode films of James Cagney, Paul Muni and Edward G Robinson with its on screen death toll. (Even by todays standards the film is some what nasty in its violence) Directed by a sure handed Leo Popkin, this film uses montages of stock footage and newspaper headlines to make you feel as though you're seeing much more than you really are. The paper dodge is as clichéd as you can get but it manages to stretch a meager budget into something many of the big studios would have been proud to release. Clearly the man knew how to stretch a dollar and make you believe you were actually seeing more than you were.Far from perfect there are times when the budget shows in the use of of some stock sets. Also the cast is no always on the same level acting wise, but it doesn't really mater since the story moves things along so that you really don't care.Yes this is a program B film, but at the same time it manages to be a breath of fresh air to anyone who's seen more than their share of B programmers.Worth a look for anyone who wants to see a very good little action film. You may not love it but I'm pretty sure that if you take it on its own terms you'll come away liking it a great deal.

This is a routine crime melodrama with amateurish acting, but it is still an interesting movie for a couple of reasons.It is one of a genre produced in the 30's and 40' that were called "race" pictures. These were movies that featured all black casts that mirrored lesser white "B" movies of the period. It is important to realize that the acting and script were not very polished, but that they were honest efforts to portray blacks in a more positive light. Looking back on that period and recognizing the stereotyping blacks suffered, one has to applaud the efforts that Popkin and the other producers put out.Ralph Cooper, playing the gangster, was a regular in these features but I thought he would look more at home in a board room than a pool room. His love interest, played by Gladys Snyder was a pleasant surprise. I found her to be believable and quite appealing. I was disappointed to find that she only appeared in one other movie also made in 1940.All in all, given the budget and distribution restrictions these pictures were subject to, I think they were a brave effort to reach a hungry and ignored audience. Not only do I think they did it well, but I think they displayed a pride in the black race that Hollywood has forgotten about. Even talented black actors and directors like Spike Lee seem to revel in the violence, drugs, and misogynism of "the hood". I honestly think the industry should take another look at these pictures and try to recapture the tenderness and emotions they invoked. Black viewers can take pride in these features and white viewers might develop a better understanding of black pride - without the violence.