Tokyo File 212

June. 01,1951      NR
Rating:
5.2
Trailer Synopsis Cast

A Communist spy ring in Japan is hard at work trying to sabotage the American war effort during the Korean War, using kidnapping, murder and a disturbed former kamikaze pilot. A U.S. secret agent, posing as a reporter, is dispatched to Tokyo to put a stop to these nefarious activities.

Florence Marly as  Steffi Novak
Jun Tazaki as  
Tetsu Nakamura as  Mr. Oyama
Dekao Yokoo as  
Gen Shimizu as  
Tatsuo Saitō as  Mr. Matsuto

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Reviews

Plantiana
1951/06/01

Yawn. Poorly Filmed Snooze Fest.

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TrueJoshNight
1951/06/02

Truly Dreadful Film

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Unlimitedia
1951/06/03

Sick Product of a Sick System

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Zlatica
1951/06/04

One of the worst ways to make a cult movie is to set out to make a cult movie.

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ZenVortex
1951/06/05

Although not classic film noir, this is an entertaining little B movie filmed in Tokyo during the Korean war. Robert Peyton ("B" version of Fred McMurray) delivers a generally adequate performance as an undercover army intelligence officer investigating a Japanese spy ring that is sabotaging US operations in Korea.More interesting is the alluring Florence Marly ("B" version of Marlene Dietrich). The Czechoslovakian-born Marly is portrayed as an Eurasian femme fatale who speaks English with a cute Japanese accent. Of course, she is completely untrustworthy and leads Frederick into the sordid Japanese underworld on a mission to locate a college friend who has been tricked into working for the communists.The plot twists and turns with some interesting noirish street scenes and good performances by Japanese actors. Not a great movie but worth watching for Marly's intriguing performance and the surprise ending.

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dbborroughs
1951/06/06

Tokyo set and filmed tale taking place during the Korean war about a Mr Carter posing as a reporter in order to investigate a group of commies operating in the "last bastion of freedom in the far East". An odd mix of western and eastern sensibilities collide in a film that only looks like Japanese films from the time (This isn't any Hollywood movie I've ever seen). A wonderful travelogue of life in post war Japan this film score several points just for not being from these parts. It scores several more for a plot that is convoluted enough to make you want to keep watching. Filled with wit and intriguing characters this is an animal unto itself and its a beauty. Far from perfect, the climax is almost silly and involves a cheat of sorts, this is also highly recommended for anyone who wants a good film from years past that isn't the same old same old. (probably going to end up on my list of nice surprises for 2009)

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sol
1951/06/07

( SPOILERS) The movie "Tokyo File 212" starts off with a suitcase explosion in a park in downtown Tokyo at high noon. As the screams subside and dust clears were brought forward some two weeks before this dastardly deed took place to see what were the events that put it into motion. Top Secret US Government Agent Jimmy Carter, Lee Frederick, is sent on a top secret mission to Tokyo Japan using the cover of a reporter for the media outlet "The National Weekly Indicator". Jimmy is to check out the Communist infiltration of the Japanese labor movement and a top Japanese labor leader Toro Matsuto, Katsuhiko Haida, who was a friend of Jimmy before the war. Jimmy looking up Toro's Father Mr. Matsuto, Tatsuo Saito, is told that Toro became a very disturbed and unstable young man since he came back from the war and never recovered from his experience as a Kamikaze pilot trainee. Toro was looking forward to fly into the sunset and go out in a blaze of glory by slamming his bomb laden suicide aircraft into a US warship and take hundreds of hated Americans out together with him for his country and Emperor. But the war unfortunately ended before he could make his grand and glorious exit and that left him a hurt and broken young man. After the war Toro felt lost and confused and drifted into the evil clutches of the Communist movement. There Toro thought that he finally found a home and cause for living as a top labor leader in Tokyo. At his hotel room Jimmy finds sleeping in his bed beautiful and mysterious Steffi Novak, Florence Marly, who just happened to know everything about him. Steffi tells Jimmy this story about her sister Christina,who's in Communist North Korea, and shows him a number of letters that she received from her. In her letters Christina tells Steffi that as soon as the war in Korea is over she'll be back home, in Tokyo, reunited with her.Unknown to Steffi is that her sister was murdered by the North Koreans commies,with a bullet through her skull, who dumped her body in the Imjin River. The commies here in Tokyo who she's working for sent her those letters that are forgeries in order to keep her in line. Jimmy together with Steffi track down Toro in a sleazy downtown Tokyo commie bar hangout where Jimmy is attacked and almost killed. He's then told by the commie bar owner to stay away from Toro if he want to live and next time he won't get off this easy. The commie boss-man of the Tokyo labor movement Mr. Oyama,Tetsu Nakamur, starts to feel that Toro is having second thoughts about being involved with his gang of murderous cut-throats. Mr. Oyama then has a bunch of his goons kidnap actress Namiko, Reiko Otani, Toro's girlfriend and beat her up and dump her from a speeding car and make it look like it was the work of the Tokyo police. This is Mr. Oyama attempt to get Toro, like he did with Steffi with the fake letters from her dead sister, into line. Toro still can't give up Namiko for the good of the movement and it's seen by Mr. Oyama that he had outlived his usefulness and plans to have him done in. Toro going to the hospital to see his beloved Namiko to tell her that he's leaving the movement for her finds that she was murdered by those dirty rotten commie swines and runs for his life knowing that he'll be next. Captured by Mr. Oyama's goons outside the hospital Toro is brought to Oyama's office headquarters in a downtown Tokyo high-rise building and told by Mr. Big that by tomorrow he'll be found floating in Tokyo Bay. But before he's done in Mr. Oyama wants Toro to see his dad Mr. Matsuto Jimmy and Steffie, who finally saw the light and became one of the good guys or better yet good gals, blown to pieces outside his office window in the park across the street. Toro is then told that he'll be framed for all this.Reading a forged pre written letter that will be attributed to Toro Mr. Oyama puts it in his left breast pocket and smirks with satisfaction as if he achieved a great accomplishment by pulling all this off; And this is the part where we came in at the start of the movie. Toro in a last act of desperation rips the pocket out of Mr. Oyama's jacket and like the brave and fearless Kamikaze pilot that he dreamed of being during the war dives head first out of Mr. Oyama's office window and falls to his death down on the Tokyo streets. Toro's brave and selfless action alerted his dad Jimmy and Steffi to get up and run from the park where the suitcase bomb was planted to kill them and it exploded without hurting or killing anyone. With the evidence of Mr. Oyama's crime in the dead Toro's hand the Tokyo police and Jimmy run up to his office to arrest him for the murder of Namiko and attempted murder of Jimmy Mr. Matsuto and Steffi. Mr. Oyama like the cowardly rat fink that he is tries to save his dirty rotten commie neck, don't they all, by spilling the beans on the movement in order to make a deal at the expense of those who were willing to serve and die for him. But one of his henchmen at the office just had all he could take from this lowlife commie, now ex-commie, creep and takes him out with a dagger to his gut: END OF STORY.

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PolitiCom
1951/06/08

A B-Movie must. The lousy dialogue is compensated for by the fact that a lot of key scenes are in Japanese - without subtitles.Filmed entirely on location, it provides some interesting shots of post WWII Japan and the cast includes real soldiers who were part of the American occupation force. Francis Marly is great as a broadly sketched femme fatale. A trivia buff's footnote: the producer was famous San Francisco attorney Melvin Bell

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