A Paris sculptor (Richard Dix) fakes blindness in Los Angeles to recover his blackmailed sister's love letters.
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You won't be disappointed!
I don't have all the words right now but this film is a work of art.
In truth, there is barely enough story here to make a film.
Although I seem to have had higher expectations than I thought, the movie is super entertaining.
The dialogue isn't developed well but this was probably common for that era back then. I tried to look up the details about this movie, in particular where in Los Angeles were these scenes filmed at? I couldn't find any information on IMDb. Does anyone know the locations in L.A. where this movie was filmed? And what is the name of the hotel where the filming takes place?Even though the dialogue suffers from being too shallow, the camera angles and shots were pretty good. The picture quality is quite good for it being so old. It's also interesting to see the clothing styles of the late 1930s. Double-breasted suits seemed to be very popular for several decades after the 30s. Did most men in the L.A. area wear fedoras, or is this an exaggeration? I know fedoras were common in places like N.Y. and probably most cities in the US, but I don't think they were as common in L.A. or men seldom wore them there.
Ostensibly, a programmer, but I thought a semi-interesting one. How can I say that? Probably, because I am a sucker for Ace, the Wonder Dog. He wasn't just another poochie with a languid kisser, but a trained thespian who could take down a bad guy or gal with consummate aplomb. In all his scenes he made Richard Dix look almost human or at least as spry as a petrified stick.The story was more than a bit convoluted, but then it was written by three different writers and that barely gave each of them twenty minutes to tell their inclusion. Also, working in an art museum filled with rare antiques is not the kind of thing that can be readily spared a fanciful story. Say what you may, blindness is not easily explained at any story pitch,even if you have a wonder dog to introduce to the world.Not a common story arc and filled with dread at every corner; these are just a few of the excitements of a mostly forgotten B-movie. Pull your chair closer to the screen lest you become blinder than the stooge Mr. Dix played.
Primarily a vehicle to showcase Ace the Wonder Dog and gowns by Renié. Premise of why the hero needs to pretend he is blind in order to gain access to museum is not sufficiently believable, especially when thieves figure out that all they need to do is get hired on as janitors in order to accomplish the same end. I find Richard Dix wooden in his delivery and cannot understand why Whitney Bourne would find him appealing. Eduardo Ciannelli is excellent as the thief. Richard Dix making an "iron" pancake in Paris could have been funnier as could have the thieves arguing over fifteen and twenty cents when blackmail is at stake. Not a great movie, but the premise could have been more interesting. Moves way too slow to really hold your interest.
Ace the Wonder Dog, RKO's answer to Rin Tin Tin -- not that anyone had asked the question -- is introduced in this Richard Dix programmer.Dix was a leading star at RKO from 1929 through 1940, but for RKO this meant handsomely mounted B movies that his loyal fans would go to see, and which could be used to introduce interesting new talent, like Ace. Here Richard Dix pretends to be blind in order to recover incriminating letters that might result in his sister being blackmailed -- don't ask me why his being blind would help. Richard Dix ambles through the movie with his usual muscular performance. It is unsurprising he had his fans. Even the fact that this movie ends with a closeup of Ace the Wonder Dog doesn't fool anyone. A talented performer, yes, but we was no Richard Dix.