Wow! Such a good movie.

I don't have all the words right now but this film is a work of art.

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

A nasty criminal escapes from prison and immediately takes up with his old gang, kidnapping a key witness (who actually never blabbed), the detective who caught him, and the D.A. who prosecuted him. In the course of just over an hour, his violent mission for revenge takes him on a road trip where the excitement never lets up. There are several close calls for the criminals disguised as delivery truck drivers with the kidnapped victims in the hull, gagged inside a car. But the three victims have their own plan up their sleeve even though the female witness (Virginia Grey in one of her rare leads) seems to have divided loyalties.While there have been many movies about prison breaks, a lot of them end up being predictable or going off on plot twists which are straight out of an Indiana Jones movie. This peaks with a stand-off between police at a train crossing and later at a gas station. It all culminates at an abandoned shack where the gangsters find themselves at the mercy of their own victims and one not yet caught gangster determined to get back in control. Charles McGraw is ruthless and seemingly unstoppable as the head of this gang of violent criminals, while Michael O'Shea is a tough yet law-abiding (and more importantly, honest) cop. It's Virginia Grey, however, who stands out, giving a thrilling performance as the less than savory female who may or may not have given key private testimony without taking the stand. She's come a long way since insulting Joan Crawford behind the perfume counter in "The Women"!

This little-known 'B' noir – tightly-paced and efficiently handled by journeyman Feist – provides Charles McGraw with one of his best roles as a vicious escaped criminal out to get the three people responsible for his conviction; clearly resourceful, he manages to kidnap all of them within the space of a few hours from his freedom (with the help of two other associates)! The film makes great use of confined spaces: in their attempt to escape detection on the way to crossing the border into Mexico, the gang exchanges their hide-out a number of times – a house, a moving van (conveniently concealing a police car inside it which, apart from carrying the hostages, allows McGraw to know the pursuing force's every move!) and finally a cabin in the desert.As with other post-war examples of the genre, the violence is more pronounced – in particular the stunning sequence in which McGraw pins the hero to the floor (by stepping on the latter's outstretched arms) and breaks a chair over his face! The hero, however, is rather colorless and it's the young van driver (himself an unwilling captive) who offers the most resistance to McGraw and gang – though, in their final confrontation, the criminal is able to disarm him in the blink of an eye! Ultimately, this proves to be yet another title which has so far been curiously overlooked for DVD release – indeed, it would make an ideal choice for the next instalment of Warners' much-anticipated "Film Noir Collection"...

It took about 10 minutes for me to get into the story, because I didn't recognize any of the actors at first and I wasn't sure who I was supposed to identify with; but this turned out to be a typically tough and snappy little crime caper (65 minutes long) from director Felix Feist.Feist really knew how to use his small budgets wisely. He creates a tension-filled atmosphere, keeps things moving at a crisp pace, deftly establishes and stokes conflicts, and can usually be counted on for one "bravura" piece of camerawork in every film (here, it takes place at the climax in the desert shack). He was just a very sound and capable filmmaker.What also seemed to stand out about his work was how single-mindedly sadistic and downright mean his bad guys were. Here, Charles McGraw plays an escaped convict whose thirst for revenge against the detective and D.A. who put him away, really fuels the film and keeps it on track. McGraw emerges as very controlled, coiled and menacingly methodical. It's a good part and a very fine performance - the guy just doesn't give an inch and you find yourself having to respect that.Generally, when low budget crime movies fail it's because the bad guy is stupid or lets his guard down at a crucial moment - none of that here. McGraw is going out on a limb with his plan and he knows sooner or later that limb is probably going to snap, but the way he figures it it's well worth the risk.

As is the case in hundreds of Hollywood films, "The Threat" was filmed on location throughout the Los Angeles and Southern California area. Cities like Barstow, Palm Springs and Riverside are mentioned constantly. The story climaxes in the ubiquitous desert hide-a-way.The Los Angeles County Sheriff's Department is after escaped psycho killer "Red" Kluger, played brilliantly by veteran actor Charles McGraw. Inspector Murphy (Robert Shayne, known to many of us as Inspector Henderson of "Superman" fame) leads the manhunt. Average story line.