The Killing of John Lennon

December. 07,2007      
Rating:
6.1
Trailer Synopsis Cast

The film follows the travels and accounts of Mark Chapman (Jonas Ball) and gives the watcher an insight into his mind. It starts with him in Hawaii and how he does not fit in with anyone including his job; family; friends etc. He says he is searching for a purpose in his life and that it has no direction. He seeks refuge in the public library where he finds the book, 'The Catcher in the Rye'. He becomes obsessed with the book and believes that he himself is the protaganist in the book, Holden Caulfield. He believes the ideas in the book reflect his own personal life and how he does not fit in anywhere and he reads it constantly. He then finds another book in the library about The Beatles singer John Lennon and begins a personal hatred for him.

Krisha Fairchild as  Chapman's mom
Robert C. Kirk as  Det. John Sullivan
Joe Rosario as  Police Inspector
John Sierros as  Reporter (as John Sierros)
Zero Kazama as  Scientologist Leader

Reviews

Cebalord
2007/12/07

Very best movie i ever watch

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Stometer
2007/12/08

Save your money for something good and enjoyable

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Senteur
2007/12/09

As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

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Derrick Gibbons
2007/12/10

An old-fashioned movie made with new-fashioned finesse.

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irishm
2007/12/11

Another reviewer mentions that anyone watching this film who doesn't care about John Lennon probably won't feel much. I personally couldn't care less about Lennon's music or his politics, and I couldn't stand the Beatles, but I like docu-dramas and true-crime so I gave it a try. I remember the actual incident and I was familiar with the details so I knew there would be no real surprises. I have a vivid memory of joining the world chorus of "oh no, John Lennon was murdered!" only because he died at the same time as my grandmother and I knew I was facing a three-hour drive to her funeral with nothing but Beatles songs coming out of the car radio. That was my idea of "hell on wheels".But I found I DID feel during this movie, much more than I had felt during the aftermath of the actual killing. The shooting scene is terribly graphic and really forced me to think about what happened… for God's sake, this was a guy just coming home from work, he's got a little kid waiting for him upstairs, and some nutball who wants to be notorious pulls out a gun and pumps four bullets into him right in front of his wife. Regardless of whether or not Lennon and his rather strange wife meant anything to you personally, you've got to feel revulsion and horror at what you see recreated in front of the Dakota. Chapman's "I want" mentality destroyed a young family that night. John Lennon or John Smith; doesn't matter. What a hideous act of selfishness and misplaced hatred. I hope the SOB never gets out of prison.It's unfortunate that the filmmakers pulled the viewers out of the past by including a taxi ride through Times Square, though. The billboard for "Mamma Mia" was clearly out of place and apparently there were several other modern-day touches that I missed but others have spotted.I still think the Beatles were a quartet of funny-looking, tone-deaf weirdos… I was born in 1962 so I missed the Beatlemania boat completely… but I DID feel something during this film.

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karl_consiglio
2007/12/12

I'm impressed, I'm very impressed. OK for a good part of the film I felt that we already know all this of Mark Chapman off the likes of many a documentation. I was a wee disappointed the film gets nothing or very little of his little people in his younger days. Now on a more positive note is the strong magnifying attention to detail, these two men, both the assassin and his victim had so much in common, only difference being that from the similar background Lennon walked out the front door and Chapman the back. I'm sure this film is very much felt later on whether the man ought to be forgiven or not at this point. Human psychology and the way people effect each other is one of the most impressive subjects on the planet. Madness is but the devil's diagnosis, our subject is much more delicate than that. Consider how Chapman did not murder Lennon immediately when he got his autograph for a moment there he was so happy. He(Chapman) wanted to find some value in life, A thing all around him he recognized too late. Time has come for me to read The Catcher In The Rye.

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Michael O'Keefe
2007/12/13

On the night of December 8, 1980, John Lennon, co-founder of The Beatles, was shot to death in front of his New York City apartment. Mark David Chapman(Jonas Ball), more-or-less a loner searching for an identity to grab for his own, decides to induce grandiose attention upon himself. Ending his security guard shift in Hawaii, he flies to New York City with the full intent to killing John Lennon. It was a love-hate relationship...Chapman loved the music, but also conceived Lennon to be a phony because of all his material things. Camping outside John's apartment at The Dakota, Chapman does receive an autograph. He would linger longer descending into a madness that would allow him to put five bullets in Lennon. How true this depiction is is very debatable, but riveting just the same. Others in the cast: Mie Omori, Krisha Fairchild, Robert C. Kirk, Gunter Stern and Joe Rosario.

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craigs_lust
2007/12/14

I saw "The Killing of John Lennon" at the Tribeca Film Festival. I thought this movie would provide interesting insight into why Mark David Chapman killed John Lennon, but I felt like it missed the mark (no pun intended).First of all, at 2 hours, this movie is about 45 minutes too long. There are long, drawn-out dreamlike sequences that were unnecessary - it would have far more interesting to learn about his relationship to his wife and to also include information such as the imaginary people Chapman heard and took guidance from.The film fails to capture the zeitgeist of the day - there are many instances where we see modern cars and signs (such as the logo for Planet Hollywood and current Broadway shows when the cab is driving through Times Square) and a general lack of it feeling like 1980. Chapman was among the first of the celebrity stalkers, and a feeling of this relative innocence of the day is lacking. (For example, Chapman frequently asks the doorman if he's seen Lennon that day. Nowadays, the cops would be called. Back then, he was probably just seen as a rapid fan.) The film is presented mostly in monologue. I'm sure this was a decision to give the feeling that Chapman lived in his own world, but it ends up leaving the viewer feeling like they've missed something.I saw people checking their watches about an hour in the movie. I knew it was two hours long and really wanted to leave about halfway through.A documentary about Chapman would probably be an intriguing movie, but this movie is lacking in many elements.

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