Yawn. Poorly Filmed Snooze Fest.

Too much of everything

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Of course this is a lousy picture, as are most of recent crime films from UK, all from the Guy Ritchie's fashion. Lousy, lousy and lousier one than the other. But this one is far better if you consider the story and the characters, especially the ending which is totally unpredictable and in the pure film noir tradition. very brutal and shocking. Yes, I love this film especially for its ending that saves the whole thing. But besides this, the directing is absolutely awful with such lenghts, such as in the night club when you see people dancing in the dark long, long minutes long. I don't know if the director wanted to copy the DEER HUNTER mariage sequence between Meryl Streep and John Cazale - if my memory is good - but this night club sequence is totally useless. But to summarize, this little film noir is very weird in the fact that it is awful, lousy and very good in the same time.

The urban drama is saturated to bursting point with run of the mill, lazy mockney dramas and The Grind brings absolutely nothing new to the genre. The characterisations are woefully developed and acted; they stumble through what can hardly be considered narrative spewing out lines of dire- logue that amounts to posturing and screaming "fack" at each other. The direction isn't much better. The pacing is all over the shop from overly long shots of club scenes and slow motion walks to pad out the 90mins run time whilst employing bleached out visuals via out of focus shaky cam (presumably for "realism"). Overall though, it's just plain dull and is truly a Grind just to get to the credits.

After watching a poor film called Baseline I wanted to watch The Grind, as Baseline was an identical remake of The Grind, with the same story and characters as well as the same actors. Since Baseline did so badly and did nothing for the careers of the cast and crew involved this would somewhat explain the negative reviews of The Grind.At first you think The Grind is going to be just another gangster movie, but its much more and much better than that. The film follows two friends leading very different lives, one of Bobby and the other Vince. Both stories run along side each other until they meet and things start to go downhill for both characters.There are violent situations for both characters, Vince dealing with the nightclub lifestyle and Bobby who gets threatened by Dave (played by Jamie Foreman) and gets beaten up by Tony, Dave's henchman. Bobby self-harming was tough to watch, but showed how desperate his situation was. With Phil (Danny John-Jules) his last friend to turn to for help the last 15 minutes are quite tense and lead to a climax for both of the main characters! This is a low budget film and there are technical issues, but The Grind gives you an insight into British crime like no other. Director Rishi Opel lays on the violence thick and fast which may put off some viewers, so if you have a problem with brutality stay away, if not check it out. If your looking for something hardcore, this film pulls no punches. Where Baseline tried The Grind survived!

I saw this at the Apollo cinema and I have to say it was visually very impressive. Very nice grade similar to Heat for the nightclub scenes and reverting back to a desaturated look for the urban scenes.It was especially rewarding to have the writer, producer and director (Rishi Opel) in attendance for the Q&A after the film.The performances were good, the lead was cast right as the debt ridden, out of control, Bobby who's quiet and lonely and the director keeps it real by not giving the audience too much information about Bobby and his past dealings with his best mate Vince. It kept me interested in the character of Bobby and wanting to know more about him.Vince, Bobby's best mate runs the club for Dave (Jamie Foreman) and Vince comes across as the ambitious, loud, thuggish, violent types who wants it all including running a casino for Dave. The performance of Vince was poor and let the film down in some aspects. The casting was just wrong. It was an unusual choice of having the two stories running parallel and this slowed the film down in parts. Perhaps this was the original part of the story and it did come across as intentional. Jamie Foreman plays it straight, as the guy who wants his money and if he doesn't get it, then something is going to happen. His performance is great and keeps the film moving. Danny-John Jules (Cat from Red Dwarf) turns in a good performance as the wheeler dealer mate and surprised me with an unusual role I've not seen him play before. During the Q&A, I found it interesting to hear the experience Rishi Opel had throughout the process of making and completing the film and problems he encountered. It was clear to see that The Grind was his life story and solely his vision. His story was tampered with from the people involved, and problems with dealing with negative people, but all he wanted to do was just make a movie and entertain an audience. His knowledge of the early 90's dance movement showed he had experience in the rave culture and his enthusiasm came across well and was certainly infectious. It was good to hear that he hold no grudges against anyone and that he'll be behind the camera again for his second feature!Overall it was astonishingly impressive to see what an independent, enthusiastic, Writer, Producer & Director can achieve. A really interesting debut!