After she leaves her cheating husband, Susan Reed embarks on a cross-country road trip where she falls victim to a series of mishaps that land her behind bars in the redneck Macon County Jail. Once inside, she's subjected to endless acts of brutality from the guards and inmates alike. Things go from bad to worse when she's forced to defend herself against a rapist with tragic results. No longer truly "innocent," when the opportunity arises Susan flees with fellow prisoner Coley.
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Absolutely Fantastic
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
Exactly the movie you think it is, but not the movie you want it to be.
This is a dark and sometimes deeply uncomfortable drama
"Macon County Jail" has some pretty lame acting. Ally Sheedy appears to be either hysterical or comatose, and David Carradine acts like he would rather be somewhere else. All of this mediocrity allows Charles Napier's performance to stand out, and he is without question the most interesting character in this soggy jailbreak saga. The script seems extremely contrived, and clichés abound, all of which makes the gratuitous car crashes and explosions totally predictable. Sheedy's abrupt change from meek victim to gun toting desperado is anything but believable. Several weak attempts at humor leaves the film with a curious lack of identity, when contrasted with the brutal rape scene. - MERK
At this point, producer Roger Corman had made a career of recycling props and sets, as well as footage from other movies. So it should come as no surprise that he eventually went to recycling old scripts as well. This is actually the third go-around for this story (the previous two were "Jackson County Jail" and "Outside Chance".) You might think that having a woman screenwriter/director this time around might jazz things up somewhat, but you'd be wrong. This looks even cheaper than JCJ, for one thing. The two leads don't seem to be having any fun in their roles, and their tired spirits really weigh down on the movie. The movie tries to be faster-paced than its predecessors, but after the first half hour it really pads things out when it realizes that it still has an hour of running time to go. There is a slap-dash feeling to the entire movie, from reflections of boom mikes in car windows to the fact that jailed convict Carradine is allowed to wear an earring in his jail cell.Still, that first shot is pretty impressive.
This film was so bad that the content of the movie is not even reviewable. The performances by Ally Sheedy and David Carradine represent their darkest cinematic hour. In their defense, if that's possible, the budget for this film had to have provided for only one take for every scene. I simply can't think of any other reason how a film could be so poorly put together. At one point I really thought that Sheedy and Carradine were intentionally "bad acting", and that the film was intended to be a "quasi" spoof. It wasn't. But here's the interesting thing about this movie. The movie was so bad that it was, in an odd way, fascinating to watch. I'm sure Ally Sheedy blushes anytime she's within earshot of a mention of this film. It's always interesting to see someone with talent do something remarkable, whether good or bad.
Ally Sheedy is a brilliant actress who can always be relied on to play a part really well. Every film I have saw this talented actress is has been good.She made a great team with David Carradine as the pair who go on the run and encounter all kinds of mishaps along the way whilst being pursued by the determined Sherrif Dempsey. It's interesting to see Ally Sheedy's change from a relatively easygoing lady to a criminal on the run-and very believable too. The only criticism I have of this film is that it could have been a bit longer but saying that, it was a great film with good performances from everyone.If you're an Ally Sheedy fan like myself, then watch it and enjoy.