Crazy Joe

February. 08,1974      R
Rating:
6.2
Trailer Synopsis Cast

The rise and fall of a Mafia gangster, based on the life of murdered New York gangster "Crazy" Joey Gallo.

Peter Boyle as  Joe
Paula Prentiss as  Anne
Fred Williamson as  Willy
Rip Torn as  Richie
Charles Cioffi as  Coletti
Luther Adler as  Falco
Carmine Caridi as  Jelly
Henry Winkler as  Mannie
Sam Coppola as  Chick
Louis Guss as  Magliocco

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Reviews

SnoReptilePlenty
1974/02/08

Memorable, crazy movie

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Claysaba
1974/02/09

Excellent, Without a doubt!!

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Beystiman
1974/02/10

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

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DubyaHan
1974/02/11

The movie is wildly uneven but lively and timely - in its own surreal way

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Uriah43
1974/02/12

Looking at it in retrospect I suppose this film turned out to be an okay movie which essentially involves a gangster known as "Crazy Joe" (Peter Boyle) who believes that his efforts working for the mob haven't been appreciated enough. So he decides to force the issue and create his own gang. The problem with his logic, however, is that although he was certainly a top-notch thug, he doesn't quite have the discipline or a good understanding of the intricacies involved in building a crime family. Anyway, I thought Peter Boyle did an adequate job but it was Eli Wallach (as "Don Vittorio") and Fred Williamson (as "Willy") who really stood out. I also enjoyed seeing Henry Winkler cast as one of Crazy Joe's thugs named "Mannie" and Paula Prentiss as Joey's wife "Anne". Even so, the pace of the movie sometimes seemed a bit slow and I occasionally felt that some of the movie had been left in the cutting room. Not a great film by any means but somewhat entertaining all the same.

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fedor8
1974/02/13

"What do these Hollywood types know about gangsters?" (Crazy Joe, when he encounters a film crew on the street)Ironically, a good point. (Or was the irony intentional? I doubt it...) Hollywood types have generally proved to know very little about the mob (or almost anything else for that matter), or at least often present aspects of that culture in a misleading or somewhat romanticized manner. However, there isn't too much silliness or idolatry going on here, i.e. CJ's mobsters are to the most part portrayed accurately/realistically, in other words as the uncontrollable sociopaths that they are and always will be. Thankfully, this isn't a Sydney Lumet picture in which the viewer is required/asked to sympathize with criminals by taking an irrational, liberal, childishly anti-establishment attitude. (See "Find Me Guilty", a fantasy mobster court-room drama in which a "happy ending" constitutes a dozen mobster defendants being acquitted of crimes they did commit...) The radiant 70s look, a brisk plot development, and the generally good cast make up for some occasional flaws.Fonz as a gangster?? He is about a head shorter than all the (fe)male cast members - and that includes Harve Villachaize. Truly threatening-looking. Not to mention his perpetual "mild-mannered accountant's" facial expression, which he cannot get rid off even if a team of top plastic surgeons tried to help him in that fantastic feat. That was a major casting blunder. What's next... Kate Hudson as head of NASA? Casey Affleck as Superman? Another casting error, though far less dramatic than the Fonz fiasco, was picking Charles Cioffi to play a rising mob star. An actor's Italian name alone does not necessarily a suitable mafiosi make. He too lacks the aura of psychopathy that even the least violent mobster (which isn't saying much) has, lurking below the surface.Why do mobsters' wives and girfriends, i.e. harlots, nearly always get portrayed favourably in movies? It doesn't take a brilliant deductive mind or world-class detective skills to figure out that such women can't be morally much more impressive than the scum they they date. Admittedly, Paula Prentiss's character is underdeveloped, but whatever little we see of her seems to be far too flattering for that kind of woman.On one or two occasions the jumps from one scene to the next are too quick, making the flow of the movie somewhat shaky. It's as though the initial running time of CJ had been 30 minutes longer, and a commercially-driven butchering job had been implemented at the last minute in the editor's room.

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saracenoa
1974/02/14

i have seen this movie many years ago,i knew most of the people the actors were playing the movie was to me a great movie,if any one can write me as to where i can purchase this movie i will be grateful.all the actors were really good, Peter Boyle and Paula Prentiss are great together, Fred Williamson also played a good part' i never knew that rip torn played Richie,again i really enjoyed the movie,and can't wait to see it again. i have tried all over to get this movie with no results,so again if there is any one that can help me to buy this movie please get in touch with me [email protected] thank you again

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blur81
1974/02/15

Crazy Joe perfectly melds two cultural aspects of a fantastic seventies genre, the crime thriller. With a New York location and loads of terrific American character actors in addition to Italian direction, production and veterans of Italian poliziotti, this film stands out on many levels. Peter Boyle is chillingly effective as Joe, a power hungry Family soldier who desperately wants his own piece of the action with his brother and a small, but loyal army. He wages a war in New York to the dismay of the Capo di tutti capi and ultimately winds up in prison on a federal charge of liquor distribution. Once out, Crazy Joe plots his next move with his new partner, members of the Black Mob. What makes Crazy Joe stand out are the tons of familiar faces from movies of the era. Rip Torn, Luther Adler, Charles Cioffi, Carmine Caridi, Louis Guss, Eli Wallach, all appear in this movie. Even small roles are handled by well-known faces. Michael Gazzo (Godfather 2) plays a cook who still can't speak English despite being in NYC for years and years. Herve Villechaize of The Man With The Golden Gun and Fantasy Island fame is seen briefly as one of Joe's soldiers. There are veterans of Polizotti films (Fausto Tozzi) and Enzo the baker from the Godfather makes an appearance (Gabriele Torrei) to devastating effect.The gritty locations, bloddy violence, period music, and dialogue are all top-notch. A must for all organized crime film buffs. If "Mean Streets" were combined with "Il Consigliori", this movie would be the end result!!! The only fault I find with this movie is that it is so HARD TO FIND!!! This classic needs a DVD treatment ASAP!

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