Powerful

Just perfect...

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

"Naughty But Nice" is a pleasant Dick Powell musical comedy--more enjoyable than many of his other 30s films. He plays Professor Hardwick, a very straight-laced guy who likes writing classical- style music. However, when he accidentally gets drunk, he becomes a bit of a wild man and ends up giving in to his hidden inner urge to write dreaded swing music! Later, after the Hudson Music company publishes one of his songs, they learn it might be plagiarized and sue him.This is a very slight movie that never takes itself seriously and has a nice sense of humor. My only complaint is that Ann Sheridan is featured first in the credits but it's more a Dick Powell film. In fact, Gale Page is more prominent in the film but comes third-- and this must be some sort of testament to the sudden star power of Sheridan. If you do watch, you'll also see Ronald Reagan in one of his earliest roles in support.

NAUGHTY BUT NICE works. Dick Powell plays a daffy professor, but the real sparkle is from Helen Broderick as the big city aunt who does the jazz thing, gets her visiting nephew, an aspiring classical composer, involved in the wonderful world of pop jazz songwriting. He's a success, despite the criticisms of his University dean (Halliwell Hobbes) and his three quasi-abolitionist sisters (Vera Lewis, Elizabeth Dunne, and the always fascinating Zasu Pitts).Good film. The Ed "Eddie" Clark character handled a team of songwriters, and while Powell was tricked into working for another, his love interest worked for the Clark team. I found myself standing whenever Clark appeared on screen.

I don't place comments on most of the movies I watch (and I am a major film buff, particularly the classics of the late 30's, 40's and 50's, but I felt it necessary here as most of the comments are based on viewers with a Dick Powell focus. Powell's heyday was a little prior the timeframe of my expertise so I am not commenting upon those comments, however, Ann Sheridan is one of the most underrated actresses in film and she is outstanding in this, not to mention gorgeous. The movie is more entertaining than Powell's fans have let on with the final third of the movie quite entertaining for anyone. The increasing frustration of Powell's collegiate colleagues culminating in breaking a tree limb is well done. The scene prior to the court trial with Sheridan slapping everyone repeatedly in the producer's office is outstanding and a "must see" for film fans.

NAUGHTY BUT NICE (Warner Brothers, 1939), directed by Ray Enright, began production in the summer of 1938, and was withheld theatrical release for almost a year, and it's easy to see why. The finished product, unfortunately, is a disappointment. Dick Powell, whose long and successful career in musical films at Warners since 1933, has come to a rather tepid end. Taking second billing to Ann Sheridan, who was being groomed to stardom by the studio, Powell sings no major hit tunes, and is transformed from a baby-faced crooner to a mature but dull college professor of classical music who wears glasses and quite naive of the outside world, a role more suitable to the likes and comedy antics of possibly Eddie Cantor. Of the supporting players, Gale Page, whose movie career was short-lived, comes off best as the nice girl who guides the professor along. As for the plot, Professor Donald Hardwick (Dick Powell) of Winfield College, comes to New York City on a mission of getting his symphonic composition published. While there, he stays with his maiden Aunt Martha (Helen Broderick) who manages a speakeasy. Donald then meets Linda McKay (Gale Page) and Ed Clarke (Ronald Reagan), who mistake Donald for a waiter. After becoming acquainted, Linda, a songwriter, takes Donald's classical compositions and changes it into swing music without his knowledge. Upon his return to Winfield, Donald learns of the radio air-date as to when his composition is to be played so he and his college dean (Halliwell Hobbes), along with Professor Trill (Edward McWade) can join in and listen. Donald gets the shock of his life when he finds his composition changed to a jive number retitled "Hooray for Spinach" as sung by vocalist Zelda Manion (Ann Sheridan). The disgrace finds Donald returning to New York to straighten out matters, only to be further tricked into having his compositions changed into top pop tunes that make it to Number One on the Hit Parade, which eventually leads to a courtroom case.With music and lyrics by Harry Warren and Jerry Mercer, with acknowledgments to classical composers Richard Wagner, Johannes Sebastian Bach, Wolfgang Amadeus Mozart and Franz Lizst, the songs featured include: "Remember Dad" (sung by Jerry Colonna and Allen Jenkins); "Hooray for Spinach" (sung by Ann Sheridan); "I'm Happy About the Whole Thing" (sung by Dick Powell and Gale Page); "In a Moment of Weakness" (sung by Gale Page); "Corn Pickin'" (sung by Ann Sheridan/ jitterbug dancing by patrons); and "I Don't Believe in Signs" (sung by Ann Sheridan). Only "Hooray for Spinach" would be a tune more to the liking of the famous cartoon character of Popeye.Other than the use of six forgettable songs based on classical compositions, NAUGHTY BUT NICE finds Powell in numerous comedic situations, such as being served an alcoholic beverage instead of his usual lemonade which gets him so drunk that he shouts out, "YA-HOO," only to get photographed by news-hounds and picture being placed on the front page of every newspaper showing Donald swinging from a chandelier; Powell getting a "hot foot" (lighted matches stuck on his shoes) by Joe Dirke (Allen Jenkins), which causes the naive professor to take hold of his foot and jump up and down as he moans, causing the night club patrons to do the same, thus, the creation of a new type of dancing, a jitterbug number called "Corn Pickin'"; Donald getting vamped by Zelda; among others. But what is supposed to be hilarious comes off somewhat forced. This type of comedy is not Powell's style, but sure is the way of studio contract termination, this making NAUGHTY BUT NICE Powell's "swan song." Then there is the droll Helen Broderick as Powell's more down-to-earth Aunt Martha, along with his other maiden aunts, Penelope Louisa Hardwick (Zasu Pitts), an accurate-on-information know-it-all; Annabella (Vera Lewis) and Henrietta (Elizabeth Dunne), as lovers of classical music. Maxie Rosenbloom, a former boxer, is also featured as Broderick's man-servant who answers doors, cooks cakes and cleans house; Grady Sutton as a college student; and William B. Davidson, billed as Bill Davidson in the closing credits, a familiar face in numerous Warner Brothers features, playing as a crooked song publisher.NAUGHTY BUT NICE is a good idea gone sour, and at 90 minutes, looks more like an overlong "B" movie. The age of the thirties musicals is over, changing to the swing of things of the more prosperous forties. Warners would produce other musicals, but didn't hit its stride again until YANKEE DOODLE DANDY (1942) starring none-other than James Cagney. By then Powell had moved on to other studios such as Paramount, Universal and MGM before he successfully transformed into a serious actor in "film-noir" dramas beginning with MURDER, MY SWEET (RKO, 1944), and later director.NAUGHTY BUT NICE can be seen during the late night hours on Turner Classic Movies. (**)