Undescribable Perfection

Good start, but then it gets ruined

It's easily one of the freshest, sharpest and most enjoyable films of this year.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

The production quality of "Three Husbands" is poor for Hollywood standards in 1950, but this independent film has an interesting plot. The script is a little weak, but the direction and acting more than make up for the negatives. The entire cast is very good, especially those in the seven leading roles. I especially like this film for the performance of Emlyn Williams as Maxwell Bard. Although six other leads are listed ahead of him, his is the pivotal role around which the plot revolves, with its smaller plots. Williams was a very talented man of stage and screen. He was a first-rate actor, as seen here. But he preferred writing. He wrote 20 original plays of his own, and wrote nearly three dozen more screenplays. Some of his plays have been made into excellent films. Among them are "The Corn is Green," "Night Must Fall," "Someone Waiting," "The Light of Heart," "The Wind of Heaven," and "Women of Dolwyn." He also acted in and directed "Dolwyn." Max is a friend to three particular men, and their wives. He is single and a ladies man, but he's an avowed bachelor. One suspects that he won't let himself get serious about a woman because of his bad heart. Indeed, he dies of a heart attack very young – about 40 in the film. So, he cherishes his friends and friendships with them, collectively and individually. This is a first rate comedy of morals with a lesson cleverly tucked into a story of multiple friendships. No one will miss the jealousy, but sometimes the deeper message isn't obvious at first. Max wraps it up nicely in the end though, calling to the attention of the three husbands the need to trust. As a true friend (which one could see in the flashbacks), he meant trust of one's friends as well as wives. One of the characters, Arthur Evans (played by Shepperd Strudwick) also dallies with infidelity. So, naturally, he is the most put out by the thought that his wife may have been unfaithful to him. The way the movie opens and closes is funny and clever. Many of us who believe in God think he must have a sense of humor, for the foibles, missteps and mistakes most of us make in our lives. The film has some witty dialog – see the quotes section of the IMDb listing here. But most of the comedy is in the situations and acting. The three actors playing the husbands are superb in their indignation.

In 1949, Joseph Mankiewicz wrote and directed a perfect or nearly perfect film, "A Letter to Three Wives". I loved everything about the movie--the acting, the writing the direction. However, only a year later, someone came out with "Three Husbands" and I can only see it as a bald attempt to steal the plot from the original film-- it couldn't have been made without A LOT of inspiration from the first picture! When the story begin, it is just stupid. There's a nonsensical scene in Heaven that is just badly constructed in every way. It made no sense AND instead of showing anything, they just show a bunch of clouds and you hear a voice-over--talk about cheap! The story itself is about the death of the guy talking in the beginning of the film. His last wish when he gets to Heaven is that he be able to watch the hilarity (?) that would occur when his three male 'friends' all got letters he'd written and left for them with his executor. The letters inform the guys that the dead guy is saying he's sorry, but he's slept with their wives! What follows is the story about the marriages and how the husbands apparently have been taking their wives for granted and it serves them right. Then in a bizarro ending, there are so many misdirections it's confusing as to whether they happened or not (I have my impression...but will keep it to myself). The film has adequate acting--and some is good. But NONE of the acting reaches the quality of the top-notch actors in the original, all the changes to the script were bad and the film just wasn't entertaining and was as funny as cancer. I could see how this one slipped into the public domain!By the way, the only GOOD reason to see this is to watch and listen to Billie Burke in a small role. She, for once, drops her put-on silly warbly voice and sounds like a normal person here....and I assume this is the REAL Burke talking.

Vera Caspary's follow-up to "A Letter to Three Wives" starts out with good intentions, but as deceased antagonist Emlyn Williams should realize, good intentions are the pathway to hell. But here, he's presumably in heaven, his friends memorializing him at the same time he is revealing his last earthly dirty deed. You see, he has left behind a letter for three men indicating that he was having an affair with one of their wives. Who can it be? The stalwart Ruth Warrick, the somewhat crude Eve Arden, or the sweet and innocent Vanessa Brown are the three wives who ate in the same social circle but really have nothing in common. There's an unnecessarily long sequence where characters attend a foreign movie and flashbacks to William's lecherous encounters with each of the women. Of course, Arden is amusing as she battles with her wealthy bit coarse husband (Howard da Silva) and Warrick provides nostalgia for those who only knew her from "All My Children" as the haughty Phoebe. She is married to Sheppherd Strudwick here, an actor ironically on "One Life to Live" at the same time as Victor Lord.Vanessa Brown suffers from being the least interesting of the three wives and less than spicy dialog. Wasted in smaller roles are Billie Burke as Strudwick's mother and Jane Darwell in basically a cameo as attorney Jonathan Hale's wife. So ultimately, this is more interesting from a curiosity standpoint than the quality of the film itself. With the original having a screenplay that is still brilliant, the follow-up is bound to suffer in comparison. But oh that cast!

Released the year following the very successful drama LETTER TO THREE WIVES from 20th Century Fox, this United Artists film alters its predecessor's formula by reversing the gender configuration while constructing the storyline as a comedy, producing a favourable impression upon viewers appreciative of clever plotting, witty dialogue and strong playing. It opens with a voice-over conversation between recently deceased playboy Maxwell Bard (Emlyn Williams) and a representative of Heaven deciding upon his single allotted request granted to the newly passed on - Max wishes to be permitted to view reactions over a 24 hour period of three poker playing pals when they open letters, addressed to them from him, that reveal details of ostensible dalliances that their wives enjoyed with the rakish Bard. The three husbands, performed by Shepperd Strudwick, Howard Da Silva, and Robert Karnes, display varying reactions during flashbacks revealing that, in each case, the men recall events that, in retrospect, do indeed indicate possible acts of infidelity by their wives, played respectively by Ruth Warrick, Eve Arden, and Vanessa Brown, as all the while the sardonic shade of Max hovers about the resultant comedic marital straits. Crisply paced and directed well by Irving Reis, this work is generally well played by the seven principals, although acting bays go to Louise Erickson as Matilda, or "The Menace", as she is tagged in the credits due to an adulterous liaison with one of the husbands, and there are valuable contributions from cinematographer Franz Planer and designers Rudolph Sternad and Edward Boyle.