Purely Joyful Movie!

A different way of telling a story

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

If it can happen to Richard Burton, it can happen to anyone. It was early on in his career, so thankfully, everyone was able to forget about this one after he made My Cousin Rachel the following year. Green Grow the Rushes is a very silly movie, one that you wouldn't expect a Shakespearean actor to make.A group of men try to smuggle brandy in through old smuggling ships, but a young female reporter tries to get in their way by sort of pretending she doesn't know what they're up to, but then admitting she knows and is going to write a newspaper article about it, but then forgets her plan altogether because Richard Burton flirts with her. It's a little confusing, but then again, you won't really care about the plot enough to really try to figure it out. It's very silly, and I wouldn't really recommend it.

British comedy about a marsh community with a little secret. Some government snooties bounce into town to boss folks around, but the joke is on them. The entire community is involved with booze smuggling, and they're not about to give it up. Richard Burton and Honor Blackman are among the cast. Favorite part: the fate of the little clipper ship full of booze as it encounters a dangerous storm. What does the crew do when faced with being discovered with contraband? They drink it...and wreck the ship. The next morning the ship has been lifted over the sea wall into a farmer's meadow. A movie that makes me smile every time I think of it.

I'm guessing, but I'm probably on firm ground that with the success of the Ealing Studios Whiskey Galore two years earlier, it was felt that Green Grow The Rushes with a similar subject would have a built in audience. Though Green Grow The Rushes is not quite as good as Whiskey Galore, it's certainly an amusing enough comedy about a village and the marsh territory surrounding it determined to maintain their independence and way of living even in the modern times of the post World War II United Kingdom.One thing that Green Grow The Rushes does have is a young Richard Burton in one of his earliest screen appearances. He plays a young fisherman who has a more lucrative sideline in smuggling. In fact it's the cottage industry of this coastal town. Which is a source of some amusement to Burton when reporter Honor Blackman of the town paper acts all innocent like she doesn't know.In fact this place has prized it's independence for several hundred years since Henry III granted them a charter of home rule way back when that sort of thing wasn't done. However three officious bureaucrats from various ministries show up with a plan for what we in America might term urban renewal and the town springs to action. Every wile and stratagem they can think of and liberal use of the home rule charter granted them thwarts these bureaucrats at every turn. It's all led by Roger Livesey who is the captain of one of the smuggling ships.Green Grow The Rushes is a bright and amusing comedy, but I honestly don't think anyone would have predicted the enormously successful career of Richard Burton from seeing it though.

I believe it was G. K. Chesterton who described himself as a "Little Englander." To those of us born after WWII, it is hard to fully grasp what he had in mind; which is the reason why I like Green Grow the Rushes, because I think it gives some idea of what Chesterton meant. It is ostensibly about a boat that became stranded with a load of brandy. But the subtext involves the conflict between officials of the British national government and the locals and their local officials who attempt to thwart the government by invoking laws and immunities dating back to feudal times. In this sense it is a libertarian classic which reminds us that so-called feudal Europe was in fact a complex tapestry of autonomous localities, fiefdoms, principalities, etc., under a relatively weak (by today's standards) central state. The movie manages to convey a sense of nostalgia for a type of little England with its absurdly dressed officials and independent-minded locals who stand in contrast to and are suspicious of the suited technocrats who descend upon them to change their customs and plan their lives.