It really made me laugh, but for some moments I was tearing up because I could relate so much.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

The film never slows down or bores, plunging from one harrowing sequence to the next.

In 2005, Everybody Loves Raymond wrapped up its ninth and final season, taking its leave after 2010 episodes which led it to become one of the more beloved shows of the era. It was a show that highlighted the ups and downs of every day, married life, a topic which obviously the general public related to. Seven years later, you can probably turn your television on right now and find a syndicated episode of Raymond somewhere. Shortly after the finale, show creator Phil Rosenthal was approached by a SONY representative and asked to help the Russian television network create a native version of Raymond. Rosenthal brought along a film crew to document the events, revealing that comedy isn't quite as universal as we might expect.I'm not sure exactly what Rosenthal expected from his trip abroad but it becomes quite clear early on that he wasn't prepared for this undertaking. He is thrown for a loop when he discovers that he has to invest in Kidnapping and Rescue Insurance, an issue he is assured never comes up; he astutely points out that if it "never" came up, there would be no need for the insurance. Upon arriving, he meets up with his private security guard/driver and their exchange soars right past the "awkward" stage and borders on becoming "tense." He is undoubtedly a stranger in a strange land and it only gets worse from there.Later, Rosenthal is brought to the studio (which literally looks like every depressing, dilapidated building you've ever seen in a Hollywood version of Russia) and introduced to the crack team of writers and crew he will be working with. They show him clips from American shows that have previously been remade and he is given a glimpse into what Russians find funny. In my opinion, this was the best part of the entire documentary. Rosenthal is shown a clip from the Russian version of The Nanny, one of the most successful programs ever, which was truly atrocious. If, like me, you believe there is no lower form of "comedy" than Fran Dresher and The Nanny, then allow me to burst your bubble: judging from the 30 seconds shown in Exporting Raymond, I would say the Russian version is approximately 37 times worse. That exact sentiment is written in bold across Rosenthal's face as he looks around the room at his laughing coworkers and realizes he's bitten off far more than he could possibly chew. It is moment that is both hilarious and a little bit heartbreaking.As Exporting Raymond progresses, we see more and more conflicts unfold for Rosenthal. The casting process alone turns out to be a major hassle as the actor Rosenthal wants to play the Raymond character is unable to get leave from his theater company and he is replaced with an actor who appears to be the Russian equivalent of Paul Walker in terms of acting ability. To top it all off, Rosenthal doesn't get along with the director of the pilot episode, who seems to regard him as a nuisance and refuses to listen to his advice, which is, of course, the only reason he was brought in.The greatest strength of Exporting Raymond is its ability to point out the dramatic differences between the Russian culture and our own with a simple, understated style. This is a, "Let the camera roll and see what happens" sort of documentary and there's very little in the way or post- production or narration; rather, for the most part, the audience sees what Rosenthal sees and his reactions which are generally priceless. There are times when the film loses focus and becomes somewhat dull and even at its best, there's nothing excessively funny or definitively special about Exporting Raymond. But it still serves as a quirky, fun, and moderately insightful piece of work that is worth a viewing if for no other reason than to experience Rosenthal's dumbfounded facial expressions for yourself.Please see my reviews at thesoapboxoffice.com

If you know anything about the successful TV series Everybody Loves Raymond , you know that the co-creator writer/producer of this classic comedy show that ran 9 seasons was Phil Rosenthal. So much of the humor of it came from the observations, sensibilities, family experience and sense of humor of this young man. Therefore when SONY pictures and the Russian TV network decided they wanted to make a Russian version of this hit TV series, they decided to invite Phil Rosenthal to come to Russia and advise the writers, directors and producers how to pull it off. However, SONY also thought it would be a good idea if Rosenthal took a film crew with him to document the entire process. The result is a hilarious, insightful and very fascinating look at Russian television, Russian family life and the Russian sense of humor or lack thereof. It also shows how all of the above in many ways are quite different from it's American counterpart but yet beneath it all are quite similar. The success of this very funny documentary (how often do you see a funny doc?) is Phil Rosenthal. He is not only the writer/producer/director and star of this masterpiece but it is his sense of humor and timing, which carries this film. He was present at our screening and claimed he had a great deal of luck and just happened to be there filming at the right moment. There were a few spontaneous encounters caught on film with Rosenthal's parents and it was ELR all over again. The initial attempts to remake some of the original programs in Russian were wildly funny as the show was suffering in its cultural transplantation. The Russian writers, directors and involved in the making of the show were hard to believe but were quite real. There was the humorless Russian network Director of Comedy. There was a costume designer who believed it was the purpose of a TV comedy to show great trends in fashion even when depicting a typical housewife cleaning her home. In the end Everybody Loves Kostya is now the number one TV show in Russia. This documentary will be released in April and may fall between the cracks but it should definitely not be missed. You will laugh, come away with not only a lighter heart but also with a depth of insight and respect for an incredibly complex process (2011)

I know what you're thinking. "But I don't like 'Everybody Loves Raymond! Why would I want to watch this?" To which I reply, to your first point, "You are an asshole. It is a very good show, stop being an elitist prick and just enjoy yourself!" To your second, I reply, "You want to see this because it is, quite frankly, one of the funniest, sharpest, and completely entertaining documentaries I've ever seen." This is, in my opinion, the best documentary of the year. We follow Rosenthal from the original idea to the other side of the world as he tries to tune his show to fit the Russian sensibility, work in a creative environment that makes no sense to him, and deal with the absurd logistics of working in Russia. I cannot count the number of absolute laugh out loud moments in this film. Be it dealing with the new head of network comedy (a man who knows a significant amount more about lasers than comedy), trying to get the head of the Moscow Art Theatre to allow one of his actors to appear in the show (The Moscow Art Theatre is where Stanislavski did his writings on "the method," and Chekov premiered "The Seagull"), or attempting to translate the delicate physical comedy of a nut shot this movie has no shortage of genuinely funny moments. (At one point a joke about a "Fruit of the Month Club," had to be changed to "Water of the Week" because there is no "Fruit of the Month Club" in Russia… but apparently "Water of the Week" is a booming industry.) There are some touching scenes as well, Rosenthal bonding with his bodyguard (who would have preferred to have spent his life writing about sea shells), and spending an evening with a Russian family (and seeing just how similar we really are) add a nice emotional weight to the otherwise light proceedings. You could not write comedy this brilliant or moving. The film basically asks the question, "How difficult is it to let go of something you spent years of your life creating and let someone else make it their own." If you only see one documentary in the next two years, do yourself a favor and see this one.

I just recently saw a test screening of this film at my school. Apart from issue-driven documentaries with some comedic elements like Super Size Me and Michael Moore's films, "Exporting Raymond" may very well be the first true comedy documentary. While running into language barriers and culture differences as to what is funny, director Rosenthal tells a very funny and surprisingly often touching story about his efforts to adapt his American hit "Everybody Loves Raymond" for Russian audiences. It is filled with several memorable "characters" that you just can't make up in real life! And you don't have to be a fan of the TV show to enjoy this documentary!