What a beautiful movie!

Very well executed

Awesome Movie

It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

A smoker falls asleep, and two mischievous fairies play with his pipe. He discovers this, and imprisons them in a cigar box. He removes a flower from the box, which contains a fairy smoking a cigarette.Rating a film that is only five minutes long is a bit of a challenge. In this case, the title of the film is longer than the film itself. (Well, not literally.) But for 1909 it really deserves a lot of credit. The illusion of making people look small and interacting with full size people is easy today (2016), but for its time was probably not just a novelty but almost revolutionary. The Germans became the masters of trick cinema in the 1920s, but this clearly predates them...

I watched this short silent film online tonight and it was identified as a film by the genius French director Georges Méliès. However, when I looked on IMDb, it said it was by J. Stuart Blackton! Obviously SOMEONE is wrong! While watching it, I sure thought it was a Méliès film because it was so creative and the camera tricks were so masterfully done. If it IS a Méliès film, then it's pretty typical of the amazing stuff he did. If it is NOT, then obviously by 1909 other directors starting imitating his style and techniques. Regardless WHO is responsible, it is a cute and interesting little film well worth seeing--particularly by Cinephiles like myself.If you want to see this movie yourself, you can see it online at http://www.archive.org/search.php?query=melies

The special visual effects and camera tricks in this short comedy are easily among the best and most resourceful of its era. Both the variety and the quality are impressive, and most of them are also amusing to watch, in addition to their technical skill. There's no telling how much trouble they had to go to in order to make them look this good, but it was worth it.The story is very slight, serving only to set up the camera tricks. It features a pipe smoker who comes face to face with a couple of high-spirited miniature female fairies and their antics. The tiny fairy characters are completely realistic, with the double exposures being done with care. There are also other special effects using stop-action and other such techniques.It's very short, only a few minutes long, but none of it is wasted. It's funny, and it's quite a display of technical skill given the limited resources of its era.

As a longtime fan of the early "trick films" I can heartily recommend this bizarre and ingenious exercise in nickelodeon surrealism. Although it doesn't display the boisterous showmanship of Georges Méliès' mini-epics, or rival the sheer beauty of Ferdinand Zecca's The Red Spectre (the trick film nonpareil), Princess Nicotine; or The Smoke Fairy can nonetheless hold its own as a clever, funny, and downright eerie exploration of the cinema's potential to capture fantasy on celluloid.Produced at Vitagraph's Brooklyn studio, the film features a mustachioed actor named Paul Panzer who would become best known playing the villain in the famous serial The Perils of Pauline. Here we see Mr. Panzer as a proper Edwardian gentleman seated, presumably in his home, at a table as well stocked as any tobacconist's shop with cigars, cigarettes, pipe, loose tobacco, and wooden matches. As the film begins, the gentleman puts aside his newspaper and yawns and stretches in a histrionic fashion, suggesting he's already half asleep and that what follows may be a dream. Certainly what follows is dreamlike, for almost immediately the lid of a cigar box swings open and two fairies about the size of hamsters emerge. One fairy is a young girl while the other looks more mature and Glinda-like. The older fairy seems to be encouraging the girl to cause mischief, which she is only too happy to do. The gentleman realizes he is not alone when he attempts to light his pipe and finds a giggling fairy in the bowl, underneath the tobacco. The rest of the film involves a battle of wills between the gentleman and the fairy, as each one strives to hassle, harass, and torment the other. In the end, the battle is essentially a draw.The filmmakers utilized every camera trick available at the time to achieve their desired effects, and may well have concocted new ones. Double exposure, reverse image, and stop-motion photography were all employed, as well as two old-time stage tricks: enlarged props and images reflected in mirrors. A book about motion pictures by Frederick Talbot published in 1912 devoted an entire chapter to this eight- minute film, and it's easy to see why: this movie represented state-of-the- art special effects for its day. Almost a century later, Princess Nicotine is still a delightful treat.