Highly Overrated But Still Good

An Exercise In Nonsense

A story that's too fascinating to pass by...

It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

While The Adventurer (1917) may not be the strongest of Charlie Chaplin's shorts in terms of plot, characterization, or coherence, but by God, is it a fun romp. Ably supported by the lovely Edna Purviance and the deliciously villainous Eric Campbell, Chaplin gets into all sorts of trouble by the sea and in a seaside resort. The gags come at the viewer nonstop and all are inspired. The whole thing is a breathless bit of fun, effortlessly transitioning from one set-up to the next without ever feeling choppy.Of course, Chaplin would move on from Mutual after this. I cannot think of a finer finale to that phase of his career.

There are almost too many pratfalls in this short (then again when is there enough when done right). Chaplin plays a prisoner who escapes (his entrance in the movie is just fantastic on the beach), and is chased for a little while by the guards- as he does daring-do to escape like rushing up a cliff-side or doing a fun way of pulling a gun on someone- and then gets away by helping two women from drowning and is sucked up into their bourgeois existence. There's barely a beat when a gag is missed, and Chaplin takes every one. It was in the style of the 'Keystone Kops" series where there were chases and chases and more chases, and just lots of variations on gags. What makes it work is that it's gut-bustingly funny, from how he saves the pretty woman and leaves the other woman still drowning until he goes back (or how he knocks the big man back into the water, having to use his big fake beard to pull him out!). He also uses sliding doors to great usage here. And if memory serves there's even a fun gag involving ice cream! It's nothing brainy, it's just a really fun comic-book like short that utilizes all of Chaplin's physical prowess and his guts, and his timing running up those stairs in the house is one of the most brilliant things out there.

When I was a young boy (about five years old), my parents couldn't afford a TV and, in order to give me entertainment, my dad bought a second hand silent cine projector and showed me some silent westerns (which I have all but forgotten) and - oh joy, oh bliss - the Essanay and Mutual Chaplin films. The greatest of these - by a long way, in my estimation is 'The Adventurer' indeed, it is one of the very few short films worthy of the term 'masterpiece'.The Adventurer is a sonata on the number 3. There are three main locations - the beach, the pier and the house. The cliff location in the beach scene is triangular, Charlie and his two pursuers make an hilarious trio, with every combination of characters and apexes of the triangle being explored...Then we go onto the pier... There we have three sub-locations - the top of the pier, the car and the sea. Charlie explores all of these and then moves onto the house.Here we also have three locations - upstairs, downstairs and the terrace. You can see dozens of other 'threes' in the film, but the coda, in which Charlie is chased three times round the set is like the delirious coda to Mozart's 41st Symphony when the orchestra seem to take off. There is noting like it in all cinema.Of course I had no idea about all this subtlety when I was a kid, I just looked and laughed in wonder and said with a pleading thrill in my voice.... 'Play it again, Dad.'Without these wonderful Chaplin films, I doubt that I would have given my life to the cinema for the last fifty years.

Although there isn't quite the depth to "The Adventurer" that many of Chaplin's films have, since most of it is just slapstick comedy, on that level it is still quite a success. It is non-stop fun with a lot of good gags, with good work not only from Chaplin but also from his supporting cast.Charlie plays a convict who escapes from prison and tries one thing after another to stay free. Early in the movie, when he happens to save a rich girl (Chaplin regular Edna Purviance) from drowning, he is taken into her home, and from there, some hilarious situations and a lot of frantic activity follow.One of the things that works very well in this feature is the re-use of a couple of the same gags with different details. Chaplin and the rest of the cast also work together well in building up the humor as it goes along. There are also some hints at some of Chaplin's usual social themes. For pure comedy, this is one of the best of Chaplin's short films.