Simply A Masterpiece

Absolutely Fantastic

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Blistering performances.

This film shows just how people are regarded over the age of 60, and unfortunately because generations are getting older, it will only get worse. Everyone in this film shows just what can be achieved if you don't have to sit & eat cabbage and be doped up to the eye balls.Pauline Collins, plays her part so well, to be put into a home, just because her son (Peter Capaldi) and his wife want her home after his father dies, and now his mother has become "past it." The film shows just how in a position to either be putting someone in to a care home, or being made to go into a care home should be aware of, because this certainly is an eye opener. People are not "past it" just because they don't work, or have lost their partners.

I viewed and taped this production when it was first shown on TV, and recently had an occasion to re-watch it. I loved it even better the second time around.It's the tale of a woman forced, by the death of her obnoxious husband and the designs of her avaricious son and his equally greedy wife, to retire to a residential nursing home. She does not find things to her liking. It is run by a strict regime, and although not overly mistreated, the elderly inmates are not exactly handled with due reverence either. The new arrival, Mrs Thelma Caldicot is about to change all that...and how! Hopefully I trust not many (none would be better) of these types of establishments are run as depicted here. Even more so as I'm getting on a bit myself, and one can never be quite certain of the future. However, I have my fingers crossed.Reminiscent of the American made-for-TV movie, "Amos" (1985) starring an ageing Kirk Douglas, which more poignantly explored a similar theme (as indeed to some extent did a certain two-part episode of "One Foot in the Grave"), "Cabbage War" takes a somewhat less cynical view of things. This results in a robustly delightful, slightly over-the-top comedy, with real life man & wife team John Alderton and Pauline Collins for once in opposition to each other, and playing their parts with perfection and relish. In such a distinguished and superbly chosen cast it's difficult (after Pauline Collins) to pick out the star of the piece. They are all just simply wonderful. Not wishing to spoil it for those who haven't as yet seen it, I won't delve further into the storyline. Suffice it to say that it's one not to be missed.

This is a dreadful waste of celluloid. A trite, unfunny collection of stereotypes with no humour or true feeling.The targets are easy but this film still manages to miss themEven with the flu and trapped on the sofa watching the box with no concentration this was still not up to par

Mrs Caldicot's Cabbage War didn't reap the acclaim and appreciation it deserved upon its cinematic release, which is a shame because it is an enjoyable and comfortable comedy, but it also touches some raw nerves over the treatment of our senior citizens. Even though many audiences will not be able to identify with the aged protagonists, it doesn't take very long before the viewer is rooting for the 'Wrinkly Revolution', as the oldies thumb their noses at the mean-spirited authorities.The leader of the backlash is Thelma Caldicot - a downtrodden housewife who is prematurely dumped in a retirement home by her money-hungry son and daughter-in-law. 'Twilight Years' is run by an obsequious manager and an iron-fisted matron, whose goals are to keep the profits rolling in, and the patients doped up and stuffed full of boiled cabbage. Thelma rebels against this and rallies the rest home residents into a large-scale escape, which becomes national news.There are some lovely character roles; in particular the totally over-the-top rest home management duo, who well deserve whatever just desserts befall them. But was it really necessary to give them a sex scene? Additionally, the love interest for Thelma seems a trifle contrived, and doesn't add to the story at all. Where the narrative really works is when it questions our perceptions of what "old" and "past it" really mean, and that the uncomfortable and embarrassing truth is that it is easier to stuff elderly and confused people full of tranquilisers than it is to genuinely help them. Unfortunately, many of these moving scenes are marred by the overly sentimental score. The bouncy theme tune however is perfect for an occasionally outrageous, very funny, very British comedy that will leave the viewer with a pleasant and upbeat aftertaste.