Absolutely the worst movie.

One of the worst ways to make a cult movie is to set out to make a cult movie.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

For Swing fans there are six good reasons to watch this movie and they are the half dozen platters spun by DJ Beverly Ross (Ann Miller) which include The Mills Brothers, Count Basie, Bob Crosby, Duke Ellington, Freddy Slack/Ella Mae Morse and Frank Sinatra. The plot is very secondary to the talent on display albeit the gimmick - Miller loads a platter onto the turntable, sets it spinning, lowers the stylus and we 'dissolve' to that actual artist performing the respective number in full. There is also another act, The Radio Rogues, a trio of impressionists active from 1935 who featured in several Columbia shorts who offer ho hum carbons of Clark Gable, Amos n' Andy, Lum and Abner, Ben Bernie, Kate Smith et al. Essentially it's a nostalgia trip for Senior citizens but none the worse for it.

Taking on a man's job as radio DJ, future camp movie musical star Annie Miller moves from supporting roles to leading lady and Columbia's big song and dance girl in this war collection of specialties by some of the hottest acts of the time. Ann Miller would go on to greater things years later at MGM and of course on Broadway, but her charm and innocence made for a fine second string lead at Columbia studios where, while no threat to Rita Hayworth or Jean Arthur, was definitely one of their top attractions.This is 75% music and 25% plot, but what is inside the shell is quite superb. Even Frank Sinatra pops up to sing Night and Day, and there's also Bob Crosby, the Mills Brothers and a novelty song called Cow Cow boogie witch has a music video out there somewhere involving cows lip syncing to the song heard here. It's a shame though that what was obviously a sound, or essentially an early music video, wasn't utilized in this movie because of the original songs, it is the most well remembered.Look sharp for Irene Ryan as Miller's co-worker who gets in a few funny Libes. Franklin Pangborn sneers hysterically at cracks for being a decade out of step with the times and the Radio Rogues, sometimes annoying, are amusing with their selections of imitations. Of course, this wouldn't be a successful World War II musical without the obligatory patriotic finale, and this is where Annie breaks out in tap shoes which she would later utilize with great abandon and in Technicolor, and sometimes backwards as well wearing high heels at MGM.

This is a truly awful "B" movie. It is witless and often embarrassing. The plot, the basic "making into show business" routine, is almost nonexistent. In fact, the film is merely an excuse to push the war effort and highlight some popular music groups of 1942, including the Mills Brothers, Count Basie, Duke Ellington, Bob Crosby, and Freddy Slack. Each group gets about the standard three minutes, the exception being the Mills Brothers, who for some reason warranted two numbers. Ann Miller doesn't get to dance until the last couple of minutes of the film, and she has little to do but strut her stuff amid a barrage of patriotic propaganda.The most interesting moment in the film, in my view, occurred in the Duke Ellington segment. The band appears to be playing in a train, standing in awkward positions. (In the deep South at the time, the band was segregated in railroad cars when traveling.) Johnny Hodges is seen next to Duke, and Harry Carney may also be identified. In the last moments of the film, trumpeter/violinist Ray Nance rushes down the aisle to the camera and does an "uncle Tom," bugging his eyes and wiggling his head the way Willy Best did in many films. For modern viewers, especially jazz fans, this homage to segregation is sad indeed. Some movies go best unseen.

Looking luscious at the age the ripe old age of 20, Ann Miller stars in this 1940s equivalent of today's music videos on MTV or VH1. The flimsy plot is just an excuse to string together musical performances of recording artists of that era.The musical performance by Frank Sinatra of Cole Porter's "Night And Day" is a noteworthy highlight. His stage is set with six lady pianists at grand pianos and six lady violinists.Although flimsy, the plot has some merit. Comic relief is provided by veteran character actors, Tim Ryan and Irene Ryan, along with perpetually persnickety Franklin Pangborn. You'll also recognize other character actors in this film.The film wraps up with a splendid tap dancing production number by Miller, to a patriotic World War II-era song.It's 78 minutes of nostalgia and worth watching just to see Miller at her loveliest. The print recently broadcast by Turner Classic Movies was in very good condition.