Karen marries Arnold at his funeral and continues to get his money as long as she stays by his coffin. Meanwhile, various oddball relatives after Arnold's wealth are being killed in a creative variety of ways.
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Reviews
I love this movie so much
Such a frustrating disappointment
Did you people see the same film I saw?
Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.
Upon his death "Lord Arnold Dewellyn" (Norman Stuart) makes arrangements to be married to a woman by the name of "Karen" (Stella Stevens) even though he leaves behind a widow named "Lady Jocelyn Dewellyn" (Shani Wallis). As it turns out, the reason he does this is because he wishes to settle some old scores with everyone who supposedly loved him but were only interested in his money. Think of it as a kind of sick joke which he continues to play upon with the reading of the will in which he mandates certain instructions intended to cause even more problems for all concerned. Now rather than reveal any more I will just say that I didn't particularly care for this movie that much due in large part to the absence of humor and the morbid circumstances surrounding everything. To be sure, there is some mystery here and there and Stella Stevens was definitely quite attractive. Even so, I found the overall plot to be somewhat distasteful and for that reason I have rated it accordingly. Below average.
This movie is one of the better "Ewwww...I would hate to be them" type movies. It was way before its time. Roddy McDowall is so cocky and nasty in the movie that you know his time is going to come, and when it does-- it's a real headache!After seeing this movie at such a young age, I was afraid to dress in any sort of Halloween mask-- fearing that I would end up like poor Robert (Roddy McDowall). Way cool!The ways everyone bites the dust is very inventive. An excellent cast with an excellent plot. Kind of like TEN LITTLE INDIANS meets SAW. I wish I could find it on DVD!
I remember seeing this movie when I was all of 10 years old with my older sister (who should have known better!) I couldn't sleep for days after. This movie is really really scary in a campy, early '70s way. Com'on, who wouldn't get scared with a dead body lying in its coffin, in the middle of the living room, while tape recordings arrive each morning detailing the gruesome events of the previous day -- and, in the corpse's own voice, no less!!??? It's like something out of Agatha Christie wherein relatives of the deceased must survive night after night in a creepy, booby-trapped house. The last one alive gets to keep all the money left behind....the location of which is to be revealed in one final tape! You just gotta have a ghoulish sense of humor to enjoy the cheeky macabre aspects of this horror flick send up. Plus, it really is funny the way these greedy, money hungry people die and, in the end, you kind of feel they all deserved it.
Arnold is a film about a recently deceased wealthy man that kills off his heirs and company from the grave. It is a dark comedy, mixing gory thrills with low-brow comedy. This mix works well overall despite a somewhat lacking script. Most of the credit should go to the cast which is superb. Stella Stevens is ever beautiful, and buxom I might add, as Arnold's newly wed wife after his death. Elsa Lanchester, yes the Bride herself, is winsome as his dottering, cat-pawing sister. Roddy McDowell is as ever charming as his penniless, conniving younger brother. Good turns also are contributed from Patric Knowles, Farley Granger, John McGiver, and Jamie Farr. The best performance is given by British character actor Bernard Fox(known for his role of Dr. Bombay on Bewitched) as a dim-witted policeman that has little tact and sense. His lines are the best and he certainly is the funniest aspect of the film. The cast dies through many grisly deaths. One person is compacted in a garbage truck, another choked to death from a suit, another interred for life in a vault, another beheaded, and a couple pressed together between two walls. Shanni Wallis sings a rather very 70ish tune by the titular name that sets the mood of the film almost immediately as do some of the stylish sets and swirling fogs of the cemetery.