Wonderful character development!

I don't have all the words right now but this film is a work of art.

The acting in this movie is really good.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties. It's a feast for the eyes. But what really makes this dramedy work is the acting.

I'm giving this movie an 8 out of 10 vote. Anyone who loves Brad Davis should really check out this movie. He did a wonderful job in his role of "Liebling the strange and quirky crop duster from Stuttgart, AR. The movie is a bit slow in parts and trying to understand Marianne Sagebrecht's heavy German accent is difficult at times. However, I see the direction that Percy Adlon was going when he directed. The film's light humor and plot makes for delightful viewing as long as the viewer understands this is an indie film shot with a small budget. It's definitely worth watching. I'm not sure of any networks running the movie on cable but I did manage to obtain a VHS version of the movie for a relatively low price.

It was delightfully quirky for the first half hour or so, reminiscent of John Waters, without the grossness or the sex. But it got dull thereafter--never as funny as it should have been--and dwindled to an ending that was so non-climactic, they had to intersperse it between the credits so you'd know it was over. Too bad, because the first part showed a lot of promise. Still, worth seeing if you're in the mood.

Germans think smirking is funny (just like Americans think mumbling is sexy and that women with English accents are acting). I had to cross my eyes whenever the screen was filled yet again with a giant close-up of a smirking face. One of those 'housewife hacks corporate mainframe' tales where she defrauds a bank by tapping a few random keys on her home PC which is connected only to a power socket. The director obviously loves the rather large leading lady. Can't say I share his feelings. There's quite a funny bit when the entire family sit in front of the television chanting tonelessly along with the adverts. Apparently this review needs to be one line longer so here it is.

Basically, the point of this movie is that everyone worships Marianne Sagebrecht, both the director and her fans. She's got enough charisma and personality to carry the movie on her own. Otherwise, all it's got is a thin plot with some very funny scenes; the direction inclines to pointlessly flashy camerawork. But who cares about inessentials?