best movie i've ever seen.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

Exactly the movie you think it is, but not the movie you want it to be.

They say actors will literally 'kill for a role', and in the long forgotten, bizarre NYC set indie flick Frogs For Snakes, that's the very concept. A handful of Bronx lowlifes all directly involved with criminal kingpin Al Santana (Robbie Coltrane, before he went all Hagrid on us), discover he is putting on a play, and promptly begin to literally murder each other for parts. Now, such a premise should provide a downright brilliant film, but sadly that's not the case with this dreary gutterball. The possibilities are just endless, and all these miscreants do is just languish in alleyways, decrepit apartments and dive bars, monologuing about.. nothing much at all. It hurts when you have a cast this good in such fuckery as well. Al's ex wife (Barbara Hershey) works as a debt collector for him, while she pines for her thespian boyfriend (John Leguizamo) who spends the majority of his scenes reciting overblown monologues that have nothing to do with the story, or lack thereof. There's all manner of creeps and hoodlums running about like New York sewer rats, played by an impressive lineup including Harry Hamlin, Lisa Marie, Ian Hart, Clarence Williams III, Nick Chinlund and briefly Ron Perlman, but none of them have much to do and seem to aimlessly shamble through their scenes as if they were never given much of a script. Being the weirdo that I am though, I did get a sick thrill out of hearing potty mouthed Debi Mazar explicitly describe giving a blowjob to Coltrane's character, a mental image I won't soon erase from my head. It's a whole lot of nothing for the most part though, and kinda makes you wonder how the thing ever got green-lit, let alone attracted such talent. If the film itself were a play, it would be run out of town on opening night.

"Frogs for Snakes" **1/2 "FFS" is a hard movie to describe. There is this group of actors in NYC. They work together. They know one another. At various times in their lives they "love" one another. And they compete for the same parts in off-off-off Broadway plays. The owner of the theater, where they most often act and compete for parts, is run by Al. Al is a gangster and he employs these actors to make collections for him. To this point in the description of the movie it sounds like a kind of slice-of-life type story. But, "FFS" slips back and forth between the actors, Al and their day-to-day lives and killing one another. If one of them thinks someone might have a leg up on them for a part in a play, they kill rather than compete. And, after a kill the remaining players might slip right back into a dialogue that makes the killing seem like just another day at the office. Entwined in all the dialogue are these really interesting scenes, played out by the characters, from movies and stage plays. My favorite was a tryout where one of the actresses is doing Harry Lime. "FFS" is a cross between "Pulp Fiction" and "Living in Oblivion." I won't go so far as to recommend this movie but I will say I was fascinated by "FFS."

I found "Frogs for Snakes" poorly done and if at all, badly researched.Early in the film one of the characters mentions that her boyfriend was sentenced to prison for 4 years, until 1969. A bit later she talks about the 69 Corvette he bought her. A remarkable feat -- getting a 69 car in 65.Still later, the term "dissed" is used, a term that didn't come into being until the mid 90's.Still later, characters used cell phones, which certainly didn't exist in the mid 60's.Just a bad film overall.

Underground director Amos Poe presents this Tarantino-esque gangster movie, which is also a close portrait of a woman trying to break free from her old life. All trimmed with some violence, black humour and loads of quotations from the world of theater and movies. (watched @ the world premier at the Filmfestspiele Berlin)