Thanks for the memories!

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties. It's a feast for the eyes. But what really makes this dramedy work is the acting.

Cargo, a touching 7-minute Australian short by directors Ben Howling and Yolanda Ramke, focuses on just one of the small-scale personal tragedies that occurs as a result of a zombie outbreak.The film opens with a man (Andy Rodoreda) waking from a car crash to find that his wife (Alison Gallagher), still strapped in by her seat belt, has turned into a zombie, and that he has been bitten on the arm. His baby daughter (Ruth Venn) is in the back of the car, unharmed. How can he guarantee the safety of his child once he also becomes a zombie?Without giving away the answer, his plan is both a little yucky and rather ingenious, leading to a satisfying conclusion that should pull on the heartstrings of even the most hardened zombie fans.

"Cargo" is an Australian short film from 2 years ago and it is evidence that it is still possible to bring something and refreshing to the genre of zombie films, even with so many movies and television series out there, especially very recently "The Walking Dead" of course. We see a man who has a little baby daughter and who got bitten by another zombie apparently and is about to transform himself. In an act of kindness he does all he can to save his little kid from himself and the other zombies out there. It's a nicely atmospheric movie, has some emotion and heart that is otherwise rare for the genre. I would not call it great or truly memorable, but at a really short runtime of 7 minutes, it was a good watch and I hope that Yolanda Ramke, who wrote and directed this one, can have a good career in the future. Same goes for her co-director Ben Howling. Thumbs up and a must-see if you love zombie movies. And still a good watch if you don't. And you won't have to be able to speak English as there is no dialogue in here.

A father comes to in his car, strapped into the seat next to him his wife has become infected but in the back seat his baby daughter is fine. With a zone nearby known to be safe from infection, the father sets out to ensure safety for his baby girl no matter what the cost.As Theo has already said, the zombie horror genre is a pretty regular one in the genre of short films and, although I personally get scared quite easily by them, it is a genre that can easily feel tired and overused. It is to Cargo's credit then, that it creates something that works really well and doesn't rely on the usual jump scares or clichés of the genre. Here our setting is a zombie apocalypse but really the film is about love of a father for his child and this aspect is what keeps the interest and ultimately moves. The simple idea is delivered without any dialogue but yet the determination and the fact that the father never thinks of himself is really nicely shown.If I had a complaint it would be that the music is a bit too obviously tragic and the final shots of sitting on the hill with the baby is a little corny, but the concept delivers the feels even if the specifics such as these are not what I would have liked. The genre is used to deliver something more than the norm and it is moving and memorable for what it does.

With a solid opening(effective storytelling defined; aspiring filmmakers, take notes. Make a list of just how many things are communicated by the start of this, if you want protips), this brings us into the middle of a zombie apocalypse, with a man determined to save his infant. But there's one huge problem - he's already been bitten.When there is no more room for new takes on this subgenre, the crap will overload it. And in that situation, maybe the best thing to do is to focus on the characters, and give the audience a small-scale, personal story. It has been said that the way to determine if a monster story is good or not, is whether the creature could be removed, or at the very least replaced, and there would still be something compelling there. This, like many classical tales, succeeds that test, where many fail.The 6 and a half minute(without credits, 7 with) running time flies by. If anything, it starts out on a high note, and only gains in traction. It gets increasingly devastating as it goes. While you won't realize immediately "what is going on"(what the man is actually doing and why), once you do, it's a fantastic idea, and you cheer in an earnest way that few current productions inspire. Production values are excellent, everything feels real, the Romero-esque setting is entirely credible.There is constant disturbing content and a little bloody, brutal violence in this. I recommend this to everyone who likes undead horror. 8/10