As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

Exactly the movie you think it is, but not the movie you want it to be.

It's been at least twenty years since I last saw this little gem but hardly a week goes by when it doesn't pop up in my mind at some point. The other review dwells on the peculiar visual devices of the film that make it seem something like an animator's line-test from a dream. To the hypnotic rhythm of the flickering zoetrope-like "split-screen" imagery is added a very apt soundtrack of distant tolling bells, the soft (but menacing) repeating swish of a scythe, interjections of breathy whistling in homage to the wind through wheat stalks, the weightless calls of distant animals, and you have a beautifully-opaque enigmatic pastorale, exactly as I (mis?)remember it.

This is a brilliant hand drawn animated short. In Damon the Mower the title character is swinging his scythe and his figure is drawn in different positions so the scythe stays in the frame even when he moves it way to the left or right or above his head; so sometimes part of the character goes off the edge of the paper. The drawings are on small cards placed on a table to be photographed. The camera is framed wide enough to see several inches around the card, so when the framing of the action changes the card is moved frame by frame to see all of the action; so even though the card moves, the character stays in the same place. The drawings are sketchy and a little rough, but the effect is mesmerizing.