Hold Anything

October. 01,1930      
Rating:
5.4
Trailer Synopsis Cast

Bosko is a construction worker who impresses Honey by making music from everything in sight, including a decapitated mouse, a typewriter and a goat filled with hot air.

Rochelle Hudson as  Honey (voice) (uncredited)
Johnny Murray as  Bosko (voice) (uncredited)

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Reviews

Perry Kate
1930/10/01

Very very predictable, including the post credit scene !!!

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Lollivan
1930/10/02

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

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filippaberry84
1930/10/03

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

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Lucia Ayala
1930/10/04

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

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Michael_Elliott
1930/10/05

Hold Anything (1930) ** (out of 4) Early animated film from Warner before they gave us their more memorable (and better known) characters. Bosko is doing construction where he tries to do everything as if it were a note of music. I know Bosko was probably Warner's biggest character at the time but I don't think he holds up too well (and who knows if he did in 1930). The biggest problem I had with this short was that the music numbers weren't all that memorable and even though this ran under ten-minutes you can't help but feel like it's longer. There are some mice in the film, all looking like Mickey Mouse, which I guess should be expected since the director's originally worked at Disney.

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Lee Eisenberg
1930/10/06

Before Warner Bros.'s animation department gave us Bugs, Daffy, Porky, etc., their most famous star was a small, strange character named Bosko; I think that he looks like a black-face performer. In "Hold Anything", Bosko is participating in construction, when he suddenly gets infatuated with Honey.Mostly, I take little interest in WB's early 1930s cartoons. But I noticed that the credits said "Drawn by Isadore Freleng". Hardcore fans probably know that Isadore was Friz Freleng, later one of the animation department's top directors. Obviously, he had to start somewhere, and this wasn't a bad place. Worth seeing, and available on YouTube.

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tavm
1930/10/07

Since the previous reviewer mentioned most of the details of Hold Anything, I'll just mention that the mice look uncannily like Walt Disney's Mickey. Perhaps not surprising since directors Hugh Harmon and Rudolf Ising had previously worked for Disney as animators when he created Oswald the Lucky Rabbit with Ub Iwerks with the rabbit looking like the Famous Mouse with long ears and a fluffy tail. Another entertaining musical short that seems inspired by the fame of the first successful sound cartoon, Steamboat Willie, that put Mickey Mouse and Walt Disney on the map of iconic status. Worth a look for anyone interested in Warner Bros. animation before Tex Avery arrived to give it a new identity.

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Robert Reynolds
1930/10/08

This is a fairly typical early Bosko and is reasonably amusing. There are one or two points I want to discuss in some detail, some "Here there be spoilers": This short is musically-oriented and lots of things become musical instruments in the hands of Bosko, his work crew (a bunch of small, strangely familiar mice) and Bosko's girlfriend. It is to the temporary misfortune of one particular mouse that Bosko is his foreman. The mouse falls off a wall and lands on a saw, which starts making music. Bosk starts bending and warping the saw to get musical notes from it, which tosses the mouse up into the air. At one point, the mouse comes down on the saw-teeth and his head lands on one side and his body on the other. You then see the head and the body moving around on the saw as Bosko bends and warps it to make music as the body and head frantically try to get back together.Later on in the short, Bosko sees Honey in an office and goes across to her window by using musical notes as steppingstones in mid-air. He proceeds to put sheet music in her typewriter and play it like a piano. The capper on the music from unusual sources is Bosko's use of a goat as bagpipes.This has quite a few of the visual gags that would be used frequently in the Bosko shorts, such as Bosko breaking up into lots of little Boskos after hitting the ground and the playing of music when running across steps or bricks where the path is differentiated enough to resemble a keyboard or a xylophone.Good, if rather standard, Bosko short. Worht watching, if you get the opportunity. Recommended.

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