An animated film drawn entirely in pastels. Various fantastical plant-like things "grow" from the ground, eventually launching five spheres. The spheres drift in space while changing shapes and come back down to another setting, which eventually becomes more fantastical and symbolic than the opening one. The soundtrack has a jazz slant, with an ensemble of four saxophones and synthetic sound (i.e. sound created by drawing directly on the soundtrack).
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Redundant and unnecessary.
I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.
The best films of this genre always show a path and provide a takeaway for being a better person.
This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
Norman McLaren was a very prolific Canadian animator who was born in the UK. Most of his films would be described as 'arty' and are pretty much unknown here in the States. However, I've seen several of his films on various DVD collections and I like these sorts of shorts--and was thrilled to see a seven disk set of his work. This particular short is from the first disk. However, I noticed on the program notes for this one that McLaren did not release this one for many, many years because he disliked it and thought it was inferior. In this case, I will bow to Mr. McLaren's analysis of the film. While I am sure it took a long time to make this film, it isn't particularly enjoyable--even as an art film. The moving images appear too random and incoherent--making you wonder why it was even made. An experimental film that is, unfortunately, a bit of a drag.
Spooky and atmospheric, director/animator Norman McLaren's love of the Surrealist art movement is brought to life in this slow- moving animated piece. Ever-changing and painstakingly hand- drawn, pastel landscapes, recalling those of artists Salvador Dali, Yves Tanguy & even Rene Magritte, are seen shifting and dissolving into one another as strange forms take light, grow, and "morph" into new, fantastic shapes. The soundtrack is also composed of an odd blend of saxophone melodies co-mingled with a synthetic score and sound effects created by McLaren (who filmed wave patterns optically onto the film's magnetic soundtrack). Of interesting note is the "metallic balls" sequence which the filmmaker would revisit again 17 years later in his beautiful film SPHERES (1969). A PHANTASY is a quirky and curious "stream of consciousness" wonderland for the senses!{See also: "A Little Phantasy On A 19th-Century Painting (1946), by the same filmmaker.} 9/10. Doesn't need to be understood to be enjoyed!
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