At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

PERHAPS THIS ANIMATED short film (aka "Cartoon") owes so much of its widely acknowledged success with both the Public and the Critics due to the bridging of the gap between two seemingly different worlds. On the one hand you have College Football and on the other our friend GOOFY'S habit of fracturing anything and everything. (Spoofing, that is!) ALTHOUGH THIS CARTOON is old enough to be on both Social Security and Medicare by now, it is still fresh and relevant; proving that the Gridiron just hasn't really changed that much. Plastic shell helmets, face masks of varying elaborately intricacy and competing varieties have found their way into the various stadia, but no matter. Football is still football and so are its fans.SO WE FIND ourselves at the big game between arch rivals Taxidermy Tech and traditional foe, Anthropology A & M. Goofy is the star and possibly the whole team and cast; as every character is a variation of the formerly named "Dippy Dog". The roster of both varsity squads are populated with some very active Goofy clones.THE CARTOON EXPLORES each and every cliché that is peculiar to the sport, some even seeming to invent a few new ones. We go through the litany of: "Barking Out the Signals", "Well Oiled Machine", "Throwing a Bullet" and "Swivel Hips". All could have well proved to be tiresome and trite; but they are so well handled and woven into the breakneck speed action that they do serve their purposes so well.THE OTHER AMENITIES that are offered here are: the outstanding Technicolor photography, crisp & clear sound and a befittingly peppy and energetic score; with both the theme and the incidental music's type and tempo added so much to what is such a sight-gag oriented medium.THE FINE FIGHTSONG march that opens up all the festivities sounds as if it is an original; but is pleasing and complex enough to be that of some college or university. It was apparently a thought shared by the Disney staff as well; as the colorful tune was reprised for a second go round as the main theme for Disney's 1953 cartoon, FOOYTBALL NOW AND THEN.

With having found Disney's Goofy short film How To Play Golf to be a sharp and witty short movie,I started to hope that Goofy would match his golfing skills when taking on a game of American football.The plot:Showing a football arena to be jammed packed with fans from above,the moves goes down to earth and heads to the pitch,where the players soon reveal that this game is going to be as far away from a "friendly" as you can get.View on the film:Taking over from original voice artist George Johnson,Pinto Colvig gives Goofy an electric spark,which perfectly matches the excellent frantic animation that touches down on the screen.Unlike the previous Goofy shorts,director Jack Kinney gives every single player in the opposing teams their own distinctive look,and rough-edge personality,which leads to this being a Goofy movie that defiantly hits the whole nine yards.

A Walt Disney GOOFY Cartoon.Those two mighty bastions of collegiate sports, Taxidermy Tech. & Anthropology A. & M., show HOW TO PLAY FOOTBALL - very badly.A multitude of Goofys spoof many of the finer points of the game, while strangely never really showing what the sport is actually all about. Gridiron fans will probably enjoy the jokes more than the uninitiated.Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.

This short, nominated for an Oscar, is likely the best of the sports cartoons Disney did (most of them centered around the lithe, atheletic and graceful Goofy) and is a classic, although Tex Avery was there ahead of them, with Screwball Football in 1939. Tex more than holds his own, but How To Pay Football is hilarious and yet another in a long line of works with which Disney can be justifiably proud. This airs on the Ink and Paint Club periodically. Recommended.