Little Red Riding Rabbit
January. 04,1944 NRBugs, the Wolf and bobby-soxer Red chase each other around while Grandma is off working at Lockheed aircraft.
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Fresh and Exciting
Absolutely the worst movie.
The best films of this genre always show a path and provide a takeaway for being a better person.
An old-fashioned movie made with new-fashioned finesse.
I thought this was hilarious. It is tongue in cheek, so clever, that it works all the way. It begins with a truly obnoxious Little Red Riding Hood whose voice has the same quality as Elmer Fudd. She has Bugs Bunny in her basket and she is taking him to Grandma's house as a food offering. Bugs is along for the ride but isn't going to go quietly. Meanwhile, the obligatory wolf gets into the act. Of course, he heads for Grannie's house. When he gets there, he puts on her nightgown, but when he pulls back the covers, there are already four wolves in the bed. Bugs then goes to work on the wolf, leading to a great conclusion. This is one of the most satisfying of all the Warner Brothers cartoons.
I cannot tell you how much I loved "Little Red Riding Rabbit". It is absolutely great; the animation is wonderful and the music is great. There are many priceless bits, the dialogue was mighty fine especially the repeated "Hey granma", "come on, come on! Take a powder. This is my racket" and "Put on your ol' gray favourite and a blue..." And the ending was hilarious. The voice characterisations are excellent, Mel Blanc as always is brilliant as Bugs, Bea Beanderet is deliberately annoying as the obnoxious Red and Billy Bletcher(who voiced Pete in the early Silly Symphony cartoons) is raspacious enough as the wolf. All in all, this cartoon is a great favourite of mine. 10/10 Bethany Cox
Friz Freleng's 'Little Red Riding Rabbit' is a much admired gem of a cartoon and another strong retort to those who accuse Freleng of being a dull director. Taking liberties with the original Red Riding Hood story, 'Little Red Riding Rabbit' deletes Grandma from the story entirely and features a wolf who is actually more interested in the contents of Red's picnic basket than the girl herself. These contents turn out to be Bugs Bunny, who sets about having enormous fun with the dumb wolf in a series of beautifully orchestrated routines including a truly inspired vocal sparring match in which Bugs repeats everything the wolf says and slyly switches places so that he controls the dialogue. As great as the battle between Bugs and the wolf is, however, the cartoon is completely stolen by the loud-mouthed Red who persistently bursts in on the action to try and get the traditional version of the story back on track. By the end even Bugs has had enough of her and teams up with the wolf to deal with the little annoyance. In 'Little Red Riding Rabbit', Bugs is neither the good-hearted moral crusader or the aggressively anarchic lunatic, he's simply a mischievous manipulator having a great time with the latest dupes he's been presented with. This lends 'Little Red Riding Rabbit' an enjoyable sense of ethical ambiguity which makes the cruel finale seem entirely appropriate. It's a perfectly paced, beautifully written and hilariously executed classic.
This cartoon is one of my favorites for a lot of reasons, one of them being that it's a showcase for the sound F/X that were created by Robert Clampett and used throughout in the WB cartoons, even the ones that he didn't direct, such as this one. There is the "bee-whup," the singular "boit," and the most famous one, the "yada-yada-yada." There may even be a couple more I can't think of, but those three are instantly recognizable to long-time Bugs Watchers as Clampett's own.