Highly Overrated But Still Good

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

While it doesn't offer any answers, it both thrills and makes you think.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

This is a color short in the Silly Symphonies series produced by the Disney studio. There will be spoilers ahead:If you know the fable of King Midas, you essentially know the plot of this one. I don't even need to go through the plot, but here's the Cliff's Notes version-a greedy king named Midas wants even more gold than he has and is given the "gift" of the golden touch, so that everything he touches turns to gold.The king here isn't the shiniest pebble in the pond, so he misses the obvious more than once in this short. Despite warnings from the elf named Goldy that this "gift" would be a curse instead, he demands to be given the "golden touch" and gets his wish.You know what happens next-the obvious: Everything turns to gold. The beauty of the short is in the details, how things happen. The animation is beautiful and the gags are great, particularly the mirror gags, which have a bite to them.The Nimrod in chief finally grasps the obvious and begs to be released. But being as his bulb is still dimmer than a ten watt bulb at half power, he makes an even more idiotic bargain than before. The end is no less than he deserves.This short is available on the Disney Treasures Silly Symphonies DVD set and it and the set are well worth finding. Highly recommended.

This 1935 short was Walt Disney's first time directing in 5 years (he wasn't entirely satisfied with his cartoon directors during this stage) and was his last effort at directing ever. He also hated this cartoon for undisclosed reasons.It features King Midas, the greedy ruler of legend who craved gold and wishes for everything he touches to turn shiny and priceless. An elf called Goldie (gee, that's imaginative) appears and offers to make that wish come true. Midas enjoys it at first but soon comes to realize that the best things are life are those that you can touch and hold close to you. Or at least he would if the cartoon didn't just have him grow frustrated at not being able to eat dinner.There is some nice animation in here, but overall it's forgettable. Respect Walt's wishes and skip it.

If you are looking for this short, try the "Disney Timeless Treasures: Volume 3". It's there along with several other seldom-seen cartoon shorts.This Silly Symphony short is, as is ALWAYS the case with these shorts, brilliantly animated--with terrific backgrounds and ultra-vivid colors. It's the story of King Midas and his Golden Touch. But, unfortunately, the Disney folks decided to insert some sappy music--and the King singing "The Golden Touch, The Golden Touch" was pretty annoying. Once this stopped, however, the story was pretty decent and quite watchable. My only reservation about the story is the ending--as the original story told by the ancient Greeks was much darker (and therefore, cool).

A Walt Disney SILLY SYMPHONY Cartoon Short.Jolly monarch King Midas is gold mad and nothing seems to satisfy his avarice. Then one day a strange little elf grants him THE GOLDEN TOUCH...An enjoyable retelling of the tale from Greek Mythology, competently animated.The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most interesting of series in the field of animation. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.