Tamala 2010: A Punk Cat in Space
October. 19,2002Tamala is a cat living on Planet Cat Earth in the Feline Galaxy. In attempt to leave the Feline Galaxy, which is practically owned by a mega corporation called Catty & Co., she crashes on the violence-ridden Planet Q where she meets Michelangelo. Together they have fun, while Tamala seaches for her connections to Catty & Co. and her mysterious homeworld Orion
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Strong and Moving!
Fresh and Exciting
It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
It's a feast for the eyes. But what really makes this dramedy work is the acting.
I went into this hoping for something weird and retro-looking. It has a fun, Felix the Cat vibe and for the first half hour it's pretty engaging. The animation can get a little annoying (you start to wish Tamala would close her mouth), but it's coherent at least. After that it just loses the plot completely. Long, boring sequences of the same bad cgi robot cat going up an escalator, tunnels, etc. time skips/jumps, unexplained things (why were there two of the male cat? what was with the zombie version?). I like a little ambiguity in my movies - the same Hollywood plotlines get boring after a while. But there's a line between that and just not even trying to make any kind of sense and this one crosses it. It's just a drawn out, clumsy dig at corporations. If you want coherency and good animation, look elsewhere.
I can see why some reviewers might not care for it, but I think this movie is incredible. It is largely associational, confusing and disjointed, and this is by no means made up for (in fact, perhaps exaggerated) by the long, dull, ex-positional monologue towards the end. But the very fact that the main character nods off repeatedly during said scene is evidence of the film's awareness of its own means and purposes, whatever they may be.Purely affectively, I can say that the experience of watching this movie, if you can let go of plot expectations, is dreamlike, hallucinogenic, thought-provoking, and, as much because of the devastatingly catchy electro-pop soundtrack as any other element, at times transcendental. A shame it's so difficult to come by; I had to buy it region 2.
Tamala 2010 is a fantastic, inspired film that floats in a brilliantly imagined cosmos. The entirely animated film flows with creative freedom that suspends your mind in wonder and delight. The visuals range from cutesy cartoon to detailed cold-machine future.The creator behind this has let his genius go places without restraint and the result is how works of film can really be free of the rationale world -- truly a dream universe where things can change to anything else instantaneously, yet have their own, definitive logic. If you get a chance to see this on the big screen , don't miss it. And although kids coulod actually watch it, it is most definitely designed for adult enjoyment. And you don't need to be an anime fan to like it (I'm not).
While cute and enjoyable, the movie is no walk in the park. The art is fabulous and the plot can be challenging at times. Like most existential movies it will take some time and further viewings to get the most out of it. But the pleasure is all ours as watching this is both moving and entertaining. The best parts are areas where the music melds perfectly with the visuals and the plot. Luckily this happens often. I respect this movie most of all because it isn't lazy. The artists and crew come up with original stuff but they don't hide behind endless wierdness and confusion. This is up there with 2001 in terms of nearly towing the line perfectly between chaos and good old fashioned wierdness. There is a good backbone here, not just a cloud of ideas.