The film makes a home in your brain and the only cure is to see it again.

By the time the dramatic fireworks start popping off, each one feels earned.

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Really the only enjoyable thing in "Jungle Bride" is a certain shot of Anita Page. This was before the enforcement of the Hays Code (around since 1930, the enforcement only started in 1934), so there's a scene or two of her that almost certainly helped lots of boys become men in 1933 (and could probably still do the trick today). Without a doubt, Anita Page was the textbook definition of a babe; is it even possible to imagine an attractive woman shipwrecked on an uninhabited island and not immediately think of Ginger on "Gilligan's Island"?So, the paper-thin plot, uninspired dialogue and corny sound effects - not to mention a scene with a lion that made me say "Oh, give me a break!" out loud - can be forgiven just for that one shot of Anita Page's naked back. I understand that she was the last surviving person to have attended the first Academy Awards ceremony when she died in 2008. Whatever the case, she still has the honor of being one of two women - along with Fay Wray - who remind us that 1933 turned out some of the most erotic movies that didn't contain any actual sex or nudity (although I get the feeling that, thanks to their roles that year, plenty of men liked to imagine getting naked with them).Conclusion: the movie itself is pretty much a zero, but Anita Page's physical features make it a ten (hence my 5/10 rating).

This film is really quite terrible but somehow is fun almost because of it and because of the real chemistry between the two stars, both of whom are terrible in it but still you can't take your eyes off of them. The editing is dreadful. There is a huge amount of stock footage just as you would expect including chimps that have been brought in to do silly things and there is some human who keeps grunting in the background and trying to make you think it's the chimps doing it. Anita Page is a terrible actress but she gets little to work with here as some scenes finish off and you wonder what the point of them was. In any case she's a real bombshell and the pre-code side boob shot of the amply endowed Miss Page and her bare back and slit dress leg shot will no doubt be rhapsodized in some summary of pre-code babes. She delivers lines and emotes as if she is in a dreadful high school play and her close-ups play as if she's in a silent movie. But we love her anyway. Charles Starrett is perfectly cast as the brawny almost comic-book like superhero who makes everything work out and gets the girl as well. He sings the same song over and over-- a terrible song called Call of the Jungle-- and the mismatching of his alleged singing (it isn't he) and his not even close to approximation of a guitar player help to label this as a Z film and not even really a B. It's the bottom of the barrel. Starrett does actually sing for real as a drunk in the beginning of the film and the sound is completely different from the singing he allegedly does later in the film! And yet, bad as it all is, the shipwreck sequence still packs a wallop and there is some beautiful photography of the jungle hill on which Starrett pseudo-plays his guitar as Page is lured to make love with him. Their love scenes together seem pretty convincing too as if Anita really went for him. Starrett was always better than his B or Z film material, always giving his all and coming across as a solid leading man. Like John Wayne, his acting may not be the best but he has always a definite screen presence, part of which is due to his size and good looks mixed with an apparently amiable personality. All in all, this has to be a guilty pleasure film. It is dreadfully made and quite a few scenes seem to play out as if the director had no idea what they were supposed to accomplish and then we just go on to the next scene... and it took three guys to direct this film! I kept wondering how Page then at MGM and Starrett then at Paramount could have been loaned out and agreed to make a film with such wretched production values. It seems Trem Carr, the Monogram Pictures founder, had a big hand in this one but why wasn't it released by Monogram which he founded in 1931, two years before? Could it be that this was below the quality that Monogram would accept? Was it simply an independent effort that he helped to get into release? We may never know and the two stars seem at once trapped by their awful material here and at the same time they are trying to make something more of the mess than it should be. I had fun watching this and if you aren't too ashamed of yourself for wasting your time on this garbage you will too.

Doris (Anita Page) thinks that Gordon (Charles Starrett) is responsible for a crime for which her brother is serving time in prison. With the help of a newspaper reporter, they are bringing Gordon back to the States for a trial but their plans are interrupted when they are shipwrecked on an island off the African coast. Now that is an odd island...and seems to have all manor of African wildlife...hippos, lions, chimps and many more animals you really would not expect to see together there. What also is unexpected is Gordon...over time, he seems like a very decent sort and Doris' resolve to bring him back to stand trial seems to wane. What's next? And, do the couple stand a chance at happiness together??Like too many movies of the era, this one is liberally peppered with stock footage of animals that is obviously stock footage and doesn't fit well into the movie. Surprisingly, there's a scene where Gordon have a knife fight with a lion and it really appears as if they filmed it with a real, live lion. I did find it hilarious, however, that Gordon rather easily killed the adult male lion...and only came away with some very minor scratches! Even the most macho man alive could never hope to fair so well against a lion!! As for the acting, much of it is pretty bad BUT somehow tiny Chadwick Productions was able to secure the services of Anita Page (a top actress of the late 20s and early 30s) and Starrett...who wasn't yet a big star but who was a star nonetheless. It made for an odd blend of good and bad seeing them acting with B-movie quality (at best) actors.Overall, the story is pretty good but the use of stock footage is clumsy (particularly the ship near the end of the film) and the story, at times, cheap and ordinary...at best.

This delicious, 63 minute pre-Code movie stars Anita Page as the "jungle bride." Doris (played by Page) believes that Gordon Wayne (Charles Starrett) committed a murder that her brother is in jail for. In an attempt to clear her brother's name, Doris and her reporter fiance track Gordon to a ship traveling from South America. A shipwreck leaves Doris, her fiance, Gordon and his best buddy all alone on a deserted island. These four agree to coexist in the hopes of survival, but it's tough! It gets even harder when Doris begins to have feelings for Gordon!One of the movie's highlights is the island set. It reminds me of a 1930's Gilligan's Island, complete with the attractively furnished huts. Anita's wardrobe is a hoot! She was, naturally, shipwrecked in an evening gown that rips to shreds, exposing her legs. She also gets to wear a circa 1930 Navy outfit that she looked pretty good in too! In one scene, she goes to wash her clothes in a river, and some naughty monkeys steal her clothing! Heeheehee! So much for wardrobe! I always think the "special effects" in a B-movie are lots of fun. Watch the shipwreck scene--was that a toy boat in a bathtub? I think fans of either Anita Page or Charles Starrett would enjoy this film. It's very short, but fairly well packed with action so you don't get too bored with it. Anita was one of the brightest stars of the early 1930's, and she photographs beautifully in this one! It makes you sad that her career didn't last longer. As of this writing, she is still living, and appears every so often in a documentary or video clip on TCM. Look for this hard-to-find movie, and don't be too critical when you watch it.