Just what I expected

Good story, Not enough for a whole film

Don't listen to the Hype. It's awful

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

Freddie Bartholemew is young David Balfour in this Robert Louis Stevenson story. He's at school, when he's told his father has died. He never really knew him too well and was never that close, so he wasn't too broken up, but his world does change dramatically because a letter (left by his father) requests him to go to his Uncle Ebenezer. David finds him living in a huge albeit neglected and run down castle. David learns real quick not to trust him and gets out of there, only to be tricked on to a ship bound for who knows where. David does run into an outlaw accused of murder, played by Warner Baxter, but his questionable allegiances to his king and country are what incite the people and the law against him. Add to this a young lass played by Arleen Whelan who is supposedly going to be with her fiancé, but will she fall in love with Warner instead, who is trying to get her out of the country to him? Will David be rescued and find a place to call home? With a bevy of recognizable faces and good actors, the story-telling of Stevenson, the director's flair and pace, and the presence of the Scottish moors and landscapes, this was one of the best adventures of the 1930s that I've seen in a long time. It may be one of the best adventure films you've never heard of, and can you believe there's no Errol Flynn in sight! Kudos to a job well done to all involved and in keeping the spirit of Stevenson alive!

In 1747 Scotland, rebellious Warner Baxter (as Alan Breck) leads his men against British rule and becomes an outlawed traitor. Meanwhile, young teenager Freddie Bartholomew (a David Balfour) is at school when he learns his long-absent father has died and left him a letter to deliver to wealthy uncle Miles Mander (as Ebenezer Balfour). On the way to his castle, young Bartholomew witnesses an assassination. Because he knows the assassin's identity, Bartholomew is kidnapped by Mr. Baxter. For another reason, Bartholomew is pursued by Mr. Mander. Danger and adventure continue in earnest...Based on the classic story by Robert Louis Stevenson, but significantly altered to play up Baxter's character and his romance with pretty newcomer Arleen Whelan (as Jean MacDonald). Although it's not the first or last time an older star was paired with a much younger mate, it appears ill-fitting here. The script helps, a least, by acknowledging Ms. Whelan's youthful appearance, when she pretends to be Bartholomew's mother. Otherwise, this is an excellently produced adventure story. The scenes involving Bartholomew and Mander are especially well staged. "The Bonnie Banks o' Loch Lomond" will have you humming.******* Kidnapped, The Adventures of David Balfour (5/27/38) Alfred L. Werker ~ Freddie Bartholomew, Warner Baxter, Arleen Whelan, Miles Mander

If you're a Robert Louis Stevenson purist you will probably not find this version of Kidnapped to your liking. I've not seen yet the version with Roddy McDowall from 1948, but the Disney version with James MacArthur and Peter Finch sticks far closer to what Stevenson wrote.Not that Freddie Bartholomew is bad as young Balfour the heir who gets hijacked rather than kidnapped, a scheme to deprive him of a Scottish title by his miserly uncle played by Miles Mander. In the book and in the Disney film, Balfour's story is the plot of the film. In this version we get far more of Scottish politics as they were in 1747.The character of Balfour's grownup savior Alan Breck is built up and a whole plot involving a romance with a Scottish lass played by Arleen Whelan is given equal time with the Balfour predicament. Warner Baxter is cast as Alan Breck and this must have only happened because Darryl Zanuck had Tyrone Power and Don Ameche working on other projects. Power would really have brought a verve to the role that Baxter just didn't have. Not unlike The Prince And The Pauper where Errol Flynn is the dashing Miles Hendon saving the young king Edward VI. And in that film Flynn while top billed did not have his character built up to take away from the main story.Kidnapped is not a bad film, but the Disney version is much better.

Years ago, I read Stevenson's story, KIDNAPPED. When I watched this 1938 version of the story, I couldn't help but wonder if I was losing my mind, as so much of it seemed like it wasn't in the book--particularly the romantic subplot and quite a bit of the action. Well, when I later checked, I found that for once I wasn't losing my mind--the story was heavily re-worked and in many places it bore little similarity to the novel. Additionally, I was surprised that despite the story being set in Scotland, none of the characters sounded like Scots--having mostly American and a few English accents. In particular, I have always liked Warner Baxter as an actor, but here he sounds exactly the same as he did in practically all his films--like a nice but not particularly rugged American.Yet despite all this, the story still was rather enjoyable and kept my attention throughout. Very nice looking sets and a basic story that is hard to screw up, it isn't surprising that the story still delivers. It's well worth a look, but considering that KIDNAPPED is such an easy read, I still recommend the book over this film.