King Solomon's Mines
June. 17,1937White hunter Allan Quartermain and his enigmatic guide help a young Irish woman locate her missing father in unexplored Darkest Africa.
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Reviews
Too much of everything
A brilliant film that helped define a genre
It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.
The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.
At the time this film was made Gaumont British were really pushing the boat out in an attempt to break the American market.Sadly they failed and became insolvent in the recession of 1938,allowing Rank to buy their assets.The film has a strong cast,not least,Paul Robeson,who had to come to England to get top billing.Whilst the production may look dated now,it was state of the art at the time.Sydney Fairbrothers performance must be the most chilling committed to film.
In reviewing people of color in film in chronological order for Black History Month, we're now in 1937 when once again-like the last two of his I reviewed-Paul Robeson is involved in a movie that takes place in a jungle with several tribal natives. Among them are Robert Adams and Ecco Homo Toto, both of whom previously appeared with Robeson in Song of Freedom. Anyway, the singer/actor is traveling with several Caucasian explorers like Allan Quatermain (Sir Cedric Hardwicke), Kathy O'Brien (Anna Lee), and her father, Patric (Arthur Sinclair). As usual, Robeson provides many compelling moments whenever singing especially when up a mountain that provides echos. Things don't really pick up until the last 30 minutes but if you don't mind some of the exposition that comes before that, you won't be bored. So on that note, this version of King Solomon's Mines is worth a look. P.S. The director is one Robert Stevenson who was married to Ms. Lee at the time and would later provide Walt Disney with some of his most successful live action features of which one of those, Mary Poppins, would get Stevenson his only Oscar nomination.
I have just seen this adventure movie for the first time and found it very enjoyable. A hunter and his guide set out across the desert to search for King Solomon's Mines so he can get hold of the treasure. A party, including his daughter who is worried about him follows him and after confronting a dust storm and running out of water, they reach there. Natives find them and after a battle for the throne, the mines are eventually reached and the young woman is reunited with her dad. A volcano erupts and they manage to escape and set off for home, accompanied by 100 natives for the journey across the desert as a thank you for helping the native leader get his throne back.The movie features an excellent performance by Paul Robeson, whose songs help the movie along nicely. This also stars Cedric Hardwicke, Roland Young and Anna Lee. The special effects were good for their time, especially the cave scenes with the volcano.This movie has since been remade several times and the best version is the 1950 one with Stuart Granger, which I also have in my movie collection.This movie is worth checking out. Great fun.Rating: 3 stars out of 5.
This first version of H. Rider Haggard's 1884 novel has a wonderful cast (Paul Robeson, Cedric Hardwicke, Anna Lee, Roland Young and John Loder), excellent production values which includes a bubbling volcano pit, and good special effects when the lava starts eroding the walls of the crater. Even with black and white photography, it is very comparable to the 1950 Technicolor version (with Stewart Granger and Deborah Kerr) and better than the 1985 version (with Richard Chamberlain and Sharon Stone). Because I am partial to Paul Robeson, I didn't mind the intrusion into the narrative of his singing three songs with his magnificent voice. (Who can make a film with Robeson without having him sing?) The movie is full of suspense, action (when the tribes battle each other) and some comedy provided mostly by Roland Young. Overall a stirring addition to the genre that should please its fans.