Strong and Moving!

It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

What looks like it will be a routine jungle/ape picture turns into a nudie-cutie (with African-American nudies only). Unbelievable that in the early '50s it was still acceptable to present black/African women topless but not white women. Attitudes have changed a lot since then, now the lead actress would have to get at least half-naked. The National Geographic-style travelogue footage rubs uneasily against the schlock-film jungle antics of the cast, complete with fake gorilla suits. Ed Wood must have been proud. The acting is embarrassing, the leads are stiff and wooden, and the supporting cast are cartoonish. Historically and culturally inaccurate and ineptly staged, this is a trash-o-rama classic. Gets a 2 star rating from me for the pure entertainment value of bad acting, incomprehensible plotting, fake gorillas and naked titties.

I thought I'd take a moment and defend the movie, since the other comment was quite pointed. Of course everyone is entitled to their opinion, but since my parents are the ones who made the movie, thought I'd shed a bit of light.While it's true the movie is not high budget, when it was made in the early 1950's, it was truly innovative and scored high grosses throughout the south, mainly in drive-in theaters.My dad and mom made the film and yes, there was travelogue footage, but rather than look at that as a negative, here's how it happened. A deal had been struck with Howco (my dad was originally the "o" in Howco, that with his leaving, he would have rights to the the Sabu movie, "Law of the Jungle", but he could not use the actual screen image of Sabu. Thus they were left with footage without a star and a story line. Enter the creative minds of Ron and June Ormond who now owned footage, of which they must create a story around.My dad had a doctor friend, Dr. Harris (don't know his first name) who was a bit of an adventurer and had recently traveled to Africa, where... yes... he did film some footage which was made available to the Ormonds.So we had Sabu footage... travelogue footage... now they just needed a story. During those years a popular series was Tarzan, using that as a catalyst; they reversed the gender of the hero, named her Velda and proceeded to film the movie.So what you see is indeed travelogue footage... footage shot at Iverson's ranch.. and a fake jungle from "Law Of The Jungle". They then took these ingredients and made a film (which created traffic jams) filled the drive-in theaters across the South. As an aside, we'd get to town early... ballyhoo down the streets in a convertible, babe, guy in a gorilla suit and a loud speaker proclaiming... "Who will be her mate, man of beast". The southern towns loved it. And as far as a worn out gorilla suit, that's not the case. The suit(s) was bought from Western Costumes, in excellent condition and later my dad lent it to Ed Wood for his film "White Gorilla" (not certain of the name). So... the film can be criticized, or remembered for the innovative VERY low budget film that set box office records for its time. As for me, my mom and dad were the greatest and I could not have asked for a better childhood or more treasured memories such as being around when this film was made.

Most of the film consists of actors walking around or standing around in fake jungle intercut with endless travelogue footage and tedious narration. The leading lady resembles a bizarre parody of Jane Russell in "The Outlaw", with her main scene being a rather odd clumsy dance with a "shrunken head." The high point of the film occurs near the end when two actors in very motheaten ape suits (supposed to be bull gorillas) fight over the girl. In the only action scene of any interest, the "gorillas" then turn on the hero (Allan Nixon) and his brother, stomping and tearing them to death .The woman Velda goes off with the simians and apparently lives happily ever after with the film abruptly ended. Not a moment too soon for any viewer left awake.

I bought this movie after seeing it described in a catalog as the "Plan 9" of jungle movies. I'm pleased to say that I was not disappointed. This piece of cinematic shlock is every bit as laughably bad as Ed Wood's sci-fi epic.The plot of this movie is pretty much irrelevant. Basically, the film makers took a few actors, shot them standing around a forest, then intercut this material with stock footage of Africa. The discrepancy between the two types of footage is extremely obvious, and pretty darn funny.Like many other exploitation movies, this movie also features a fair amount of topless females. We get to see several pair of African breasts. However,when Velda, played by a white actress, goes topless, her goodies are carefully shielded by tall grass.Is this a bit racist? Yes, but not nearly as racist as the rambling prologue to this movie which features white actors in "brown-face" makeup, pretending to be Indians.The movie also features perhaps the worst gorilla costumes you have ever seen.Connoisseurs of bad cinema will enjoy the varied treats of "Untamed Mistress." All others should avoid this like the plague.