Absolutely brilliant

A story that's too fascinating to pass by...

By the time the dramatic fireworks start popping off, each one feels earned.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

Return to the heady days of the 1920s, when the strategic bombers of World War I were still seen as a viable alternative to the rickety airplanes of the day. While the acting is wooden and stereotypical (brave fly boy, conservative large "ship" commander, frail stay at home wife), just seeing the footage of the long-gone rigid airships is worth the tariff.The best shot is near the beginning, when the camera pans upward, past round naval observation balloons, surprisingly modern non-rigid 'blimps' flying in formation, and then (above them all) the massive (larger by a factor of five or more) dirigible of the title.Scenes of the real dirigible flying, landing, dropping naval "parachute men", and hooking up to the mooring mast are also worth the time.Not so much the rest of the movie. Period special effects do not hold up well under modern scrutiny, and the silly pining away of Fay Wray really gets in the way.(Odd too is the fact that the Review Board passed on a plot line involving an obviously cheating on her husband woman, including a racy scene at the beach where the two have been sharing an afternoon swimming, barely clad by 1930s standards). Perhaps this was during the Hays to Breen transition period, and it slipped under the radar.)Note that the poor USS Pensacola (a mythical Navy airship; there was a cruiser by that name but never an aircraft) doesn't catch fire, despite the dramatic breakup of the structure. US airship were filled with helium (due to the almost monopolistic corner of the world's supply of helium by the US), and although they suffered through a series of dramatic crashes (Shenandoah, Akron, Macon), none of them caught fire a la the Hindenburg.Buy it in the newly released DVD for the flying, and try to ignore the rest. (Oh, and Fay Wray looks far better as a brunette than she ever did as a blonde.)

I kind of enjoyed this, despite the stagy performances at the beginning, the ligneous leading man, and the period visual effects. It was written by Spig Wead, the protagonist of John Ford's "The Wings of Eagles", and directed by Frank Capra before he became warm and populist. Fay Wray is a cute and unwittingly sexy as she was in the same year's "King Kong," even if she does keep her dress on this time around.Ralph Graves is a hot-shot aviator in the 1932 US Navy. You ought to see him do outside loops and laughing at orders not to do it. Jack Holt is his superior officer who is committed to the giant dirigibles that fly out of the Naval Air Station in Lakehurst, New Jersey. Graves is married to Fay Wray, whom Holt loves from afar, in a gentlemanly kind of way. Graves doesn't take Wray seriously when she complains that he's more interested in headlines and aviation trophies than he is in her. He placates her with lines like, "Say, honey, you must know nothing means more to me than you." He thinks he's smart but he's pretty dumb.Graves is chosen to pilot a flight over the South Pole and dropping a flag on it. He decides to land the airplane and plant the flag in person, the happy-go-lucky lug. Well -- maybe not so lucky. He cracks the plane up. Two of the four-man crew wind up dead. And Graves carries the third guy until he collapses from exhaustion, hunger, and cold, abjectly accepting death. But before they can snuff it, the two men are rescued by a dirigible flown by Holt.The first part is a little goofy. The actors speak as if they're on a stage and have to shout to reach the balconies. But the last two thirds of the film are packed with action scenes, and fairly convincing, considering the year. The suffering undergone by the crash survivors isn't stiff-upper-lip stuff either. Roscoe Karns is a wisecracking radioman on the crew. Usually these characters survive and sometimes they're given the final witticism as the film closes on the lovers kissing. But when his foot is injured and he's being hauled along on a sled, he breaks down and shouts with pain, squealing, "I don't want to cry! I don't want to cry!" It's a little horrifying. It's done with such artlessness that it's believable, and the cure turns out to be worse than the disease.It's a commercial enterprise, not a masterpiece. Capra uses some stunning shots from high up in the rafters of the dirigible hangars but aside from that it's a straightforward and somewhat familiar adventure story. It will likely sweep you along by sheer momentum after you're through the initial exposition. Interesting to note that even in 1932 radio operators used speed keys.

In addition to the films Submarine and Flight, Frank Capra directed a third film with both Jack Holt and Ralph Graves: Dirigible. Originally set to be a follow-up to Wings at Paramount, it was eventually sold to poverty row Columbia. It's a heroic adventure story about competing naval officers who attempt to be the first to reach the South Pole. Holt attempts to do it via dirigible and Graves tries the conventional way by ship and sea plane. In between them there's a girl of course: Fay Wray. In their films together, Holt is always the more experienced individual offering some gentlemanly levity to a given situation; where as, Graves is often the young hothead recruit or inexperienced pilot who needs his wings clipped.In Dirigible, Capra features the airship throughout the film, and it's probably one of the few films to do so. Lots of aerial footage of Holt commanding the dirigible and Graves as a pilot move the creaky plot forward. The film was actually based on a real life incident and adapted by Jo Swerling and Dorothy Howell based on Frank Wead's story. As in many films from this period, an obligatory romantic subplot is tacked on, which kind of detracts from the film. Fay Wray is Helen Pierce, Graves' wife. The script fails Wray as she acts discombobulated throughout the film. She lives Graves, but can't stand the danger he readily embraces. Meanwhile, good guy Holt, who plays second fiddle, offers a shoulder to cry on and rescues the big lug Graves on top of it, but he doesn't get the girl. OK as entertainment, but a notch below most of Capra's efforts. **1/2 of 4 stars.

This film shows via a entertaining story how different air travel may have been if the dirigible had not had the terrible Hindenburg disaster, which was about 4 years after this movie was shot, and when trying to land in the same area as the hanger shown in the movie. Only recently it was found that the real problem with the Hindenburg apparently was individual panels not been grounded, and a fabric covering that was extremely flammable - a dangerous mistake.It is fascinating to see the Navy equipment of 1931, the dirigible shown is real. These machines may have been much more fuel efficient than airplanes, and perhaps better suited for many trips - And or course, Fay Wray is a great actress as usual, as is the rest of the cast.