I don't have all the words right now but this film is a work of art.

Absolutely the worst movie.

Simple and well acted, it has tension enough to knot the stomach.

A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

Tells the story of an outsider(Paul Robeson, as Bosambo) who migrated into central Nigeria(then part of British West Africa), along the Niger River, and soon became a chief of the Ochuri people(sounds very unlikely). He is tall and robust: a good warrior when he has to be, but prefers to promote peace among and between the various tribes of the region, against raids for slaves and wives. Hence, Bosambo has become a favorite of the district commissioner: Sanders. He hopes to make him chief of all the tribes along this stretch of the river, as a first step toward detribalization of the region.Opposing this plan is King Mofolaba, who wants to continue raids for slaves and more wives. He is especially angry at Bosambo for making him give up the people in his last raid. Among these people was Bosambo's future wife: Lilongo(Nina Mae McKinney). In the temporary absence of Sanders from the region, Mofolaba wants to capture and kill Bosambo, using his captured wife as bait. His wife is captured, and Bosambo decides to treck alone to Mofolaba's village to negotiate the release of his wife, a very dangerous move. He is also captured and tied to a stake, ready to be killed. But, Sanders has returned, and is commanding a gunboat, making the difficult journey up the rivet to Mofolaba's village. He arrives just in time to free Bosambo and his wife, spraying machine gun bullets toward the village(although,I didn't see any warriors fall, just runaway!). After Mofolaba is dispatched, at a gathering of all the chiefs in the region, Sanders asks them to accept Bosambo as their higher chief. I should mention that 2 white men were smuggling rifles and liquor to the natives. They spread the rumor that Sanders had died, thus inducing Mofolaba to resume his slave raiding. But, when he found out this wasn't true, Mofolaba had these 2 killed. It was interesting seeing the native people being themselves, including their ritual singing and dancing. Robeson sang several warrior songs: "The Song of the Spear", and "The Lion Song". Nina Mae McKinney sang the lullaby "My Little Black Dove" to her infant child. Paul Robeson was very appropriate to play Bosambo. He was born in America, but came to spend much time in Britain and Europe, away from the racial prejudice of America. He was a superb athlete, and genius: learning many languages and was valedictorian of his Rutgers class. He was an accomplished singer and actor, having sung "Ole Man River" in the 1936 film version of "Showboat". Later, he became involved in civil rights, and flirted with Communism. After finishing the present film, he was sorry he had participated in it, feeling that it rationalized colonialism more than bringing the native African to the attention of American audiences. Nina Mae McKinney, who played Bosambo's wife, was also born in the US and also spent much time in Europe, getting away from the prejudice in America, and especially Hollywood. She was regarded as quite beautiful, and talented in acting and singing. Her beauty was actually a handicap for Hollywood roles, at this time.

I am rather surprised that a man of Paul Robeson's convictions would agree to star in this film. That's because this British production STRONGLY reinforces that colonialism is good as well as the paternalistic view of black Africans. In other words, the people of Africa, according to the film, are too violent and dumb to rule themselves. And, when the British aren't there, the folks quickly regenerate to tribal warfare. While there is some truth to the stabilizing influence of the British, this film seems to say that the ends DOES justify the means. So, taking over the nations and running them is okay according to the movie. And, considering how strongly Robeson fought for racial equality, it is odd indeed that he'd been in a film like this--and play a part of a character that completely buys into this system.Apart from the message reinforcing the status quo, is the film worth seeing? Well, yes. Technically it looks really good--far better than most African films of the era (which often showed irrelevant stock footage at every turn) and it was nice to hear Robeson's melodious voice. And, it is entertaining.By the way, Robeson's name in the film was Bosambo! With this and the plot, you can see why he disowned the film when it debuted!

The lines are often unintentionally funny ("My king -of England - is the greatest king on Earth!" "I'm sending you to Sandi" ) and the movie is Tarzanesque,with its evil chief rubbing his hands before killing a good guy .The natives are big irresponsible children who desperately need the help of the white men and above all Lord -Sandi-Sanders.When he's away (they say he's dead),there's no law anymore;but when he's back,so is the law.It speaks volumes about the paternalistic side of this obsolete work:English colonizers are here to bring justice,peace,love and understanding,their intentions are so pure their black protégés (the good ones that is) cannot make up their minds without Father Sandi's piece of advice.The good chief's songs are closer to Negro spirituals than to African folklore .And the lullaby his wife sings to her little black dove would fit nicely in a Disney cartoon,such as "the Lion King" .

Leslie Banks stars as the title character, a British officer who manages to keep the peace between the African tribes loyal to His Majesty and those loyal to the African king. His right-hand man, one of the tribal leaders, played by Paul Robeson, does all he can to help Banks maintain the peace, but when Banks takes a trip away from the region, all heck breaks loose. Robeson tries his best to stem the tide of revolution against the British in Sanders' absence.Zoltan Korda directed this surprisingly lesser-quality film, but actually wanted to make a more positive film in regards to its portrayal of Africa, but sadly he was dissuaded. Also, it is sad to see Robeson, such a political force for equality in real life, play a stereotypically subservient role to Banks. The film was based on Edgar Wallace's novel at the urging of the film's producer and director's brother, Alexander.